The Colorway Explained

Our digital art department is well-versed in colorways. In recent months, we have completed up to over 1,000 colorways, and that’s just for one client! These colorways, are always accurate due to our in house proofing system, as well as our department’s expertise on matching color. Since this has become an essential need for our current clients, we thought we would share with you exactly how we go about changing color for catalogs, packaging, etc. Digital lead Alex Gumina gives you the dish on how he approaches these specific jobs.

When I approach any digital project I always ask myself three questions. “What needs to be done?”, “How much time are we working with?” and “What is the most efficient way to get from A to B?”. Once the first two questions are answered, I move on to developing my approach. Like most things, when it comes to something like changing the color of a product there are many ways to go about it. This particular shoe project was massive (reference below image), so we needed something that would get the job done, and also be interchangeable between our team of Digital Artists.  With these things in mind we developed a two layer per color method. What this means is that for each color that needed to be changed, we used two layers in our photoshop document to adjust that color. If there were five colors that meant ten layers.
Once we got the color down, we were able to go back in and adjust things per the client. If we needed more highlights or more shadows we were able to go back in and add those on without disturbing the quality of the color. Or, if the color was slightly off, we were able to shift it into place with minimal effort. It was almost like a digital assembly line for touch up and color work. Given the scope of the project and our air tight deadline this was extremely invaluable.

Colorway

To Check Out More of our Colorways, visit our Pre-Media section.

And to have the best catalog ever, give us a call, we would be happy to come up with a plan of action!

Portfolio Perfection!

At Studio 3, we are constantly improving our portfolio by being inspired by photography trends, current advertising campaigns, as well as feedback from local portfolio shows. This particular shoot was meant for photographer Craig Wagner. We had been constantly receiving client needs that included drinks, food, incorporated in a lifestyle environment. We decided to meet this need, by heading to a Portland hotspot, Produce Row. Below you can read Liz Swales, the Portland producer’s take on the shoot…

The Seattle marketing team came to me with the request of adding some beautiful, natural, and simple lifestyle, drink shots to Craig Wagner’s portfolio.
The first thing that came to my mind was Produce Row, a place that I used to manage and call home. The bar, lighting, classic nature and overall feel of the well known restaurant and bar in Portland, Oregon made it a dream to shoot in.
We were able to use what Produce Row has to offer, lots of whiskey, fancy mixology, and a bar with 25 taps. It was the perfect set up. With the addition of Craig’s beautiful lighting and creativity, we were able to create classy images that met the request.
I set up the shoot among two days, knowing from previous experience that there are only about 3 hours in the day the restaurant is slow. I didn’t want our shoot to affect or be effected by their overall patrons.
This made our team work well and get our creative ideas working in a timely fashion.
It was a great experience combining efforts with our team and my old team at Produce Row, while capturing the beauty and knowledge of drink mixing.
-Liz Swales

And of course, this story wouldn’t be complete without Craig Wagner’s insight on how he was able to capture such beautiful images.

The sequence of the bartender making a drink are amongst my favorite, I created a bit of energy by dragging the shutter to allow movement, the soft natural light was a bonus.
With mixology being all of the rage these days, I thought it be nice to expand my portfolio with some environmental shots, my producer sent our scout to a few locations including Produce Row, which was remodeled in 2010, the space, environment and lighting made it the perfect choice for this particular project.
Shooting on location can be challenging, light conditions can change rapidly, space can be tight and you may need to shoot during business
hours. We chose to break the shoot into two afternoon sessions to lower our impact on their patrons.
A large bank of north facing windows provided beautiful natural light. Only using a flexfill and a kicker light in addition allowed us to move
around the venue quickly.
-Craig Wagner

Check out Craig Wagner’s beautiful images below and be sure to give us a call for your next on location shoot!
portfolio
Produce Row
Produce Row
Produce Row
Produce Row
Produce Row

Teamwork Makes The Dream Work

Starting the New Year, Studio 3 reflects on our performance and progress. Always wanting to provide classic work while staying fresh and up to par with current trends, it is helpful to hear great feedback from happy clients to let us know we’re on track.
We have had the pleasure of doing photography illustrations for Marquis Corporation for over 20 years, which naturally progressed into providing video illustrations to show just how great their spas are. You can’t watch these videos without wanting to get into one yourself, we guarantee it!
It was an exciting and challenging project that Studio 3 was ready for. Our team shot over 20 videos in 5 months, 2 television spots, we set up 5 different spas in our studio at once, with our Video Director David King pulling 14 hour days for 23 days straight in post production. It was a busy time but we enjoyed every minute of it with Marquis Corporation on set with us everyday.

Marquis Spa

When completing a large project like this, we like to pat ourselves on the back and show our appreciation for the team that comes together to make it happen. But when we hear positive feedback from a client that is happy with our work and the affect it has, it excites us even more. It reminds us of our capabilities and the great people we are lucky to work with everyday. Teamwork makes the dream work!

Thanks to a simple yet powerful message from Jim Johnston, it has Studio 3 fired up and ready to take on the New Year. Bring it on 2014!

Drinks on Seattle Magazine!

Seattle Magazine recently approached Chris Eltrich, to do a drink photography shoot. Seattle Magazine’s goal was to showcase the best watering holes in Seattle. In order to truly capture the spirit of each Seattle destination, they gave Studio 3 the task of capturing each bar’s signature cocktail’s unique look and recipe. Luckily, we had help from a mixologist, from each bar. The mixologists whipped up the drinks, and we couldn’t be happier with their styling skills.
On set, we enjoyed hanging out with all of the talented mixologists and testing all of the different cocktails. Our favorite beverage included the salad drink, it made us all feel quite “healthy”. It’s multipurpose nature, won us all over. However, with that said there wasn’t a cocktail that didn’t agree with at least one of us! We can’t wait to visit these spots as a team and try all of their fun drinks!
Besides the team having a blast on set, Seattle magazine was quite impressed with the results, running one of the images as the cover. Stephanie Mennella, from Seattle Magazine, shared a few words with us on the feedback received regarding the images:

It looks AMAZING!! It’s getting tons of compliments, and I appreciate the extra mile you guys went to accommodate the hectic schedule of getting all the drinks shot.

With such awesome words, we couldn’t help but feel great. It’s always a blast working with Seattle Magazine, especially when spirits are involved. We look forward to our next shoot with them and hope perhaps it involves Seattle’s best restaurants…
On that note, we expect the months ahead to be full of fun drink photography shoots and hope to get a call to work with you on your next drink project!

drink photographyThe infamous salad cocktail from Rocco’s

 

Drink PhotographyA delightful concoction from Cafe Flora

 

Drink PhotographyThe cover image, a beautiful treat from Stoneburner

 
This edition of Seattle Magazine is now available on newsstands, so check it out!

Time Lapse: Forest for the Trees Northwest

About two months ago, we were approached by Portland artist Gage Hamilton, the organizer of a public mural art project “Forest for the Trees Northwest“, as a possible site for one of 10 new murals that would be going up the week of August 19th. The south wall of Studio 3 was of particular interest due to it’s size, accessibility and well, it looked like it could use some artistic love. Just standing in the parking lot looking at the vast orange canvas that would be transformed into an original piece of art, we wanted to find a way to document the process. All we were told was that the artists would be painting for 5 days, that the outcome would be a surprise and that the result would be epic and spectacular.

Time Lapse Art Wall!

After much internal discussion around documenting this creativity, we decided the best way to document the week of painting was going to be the creation of a time lapse video. We set up a GoPro Hero 3 on the roof of our neighbor, the Jolly Roger Bar and Grill and recorded from dawn til dusk for 5 days. The GoPro also took an exposure every 30 seconds. Through our friends at Star Rentals, we were able to provide the two scissor lifts to the artists to assist with the project.
Hawaiian artist, Kamea Hadar (@kameahadar), and Australian artist David “Meggs” Hooke (@houseofmeggs), worked throughout the week and gave us an amazing addition to the studio and the Hawthorne neighborhood.
Check out the resulting time lapse video and the amazing art that the guys created. Better yet, drop by the studio and check it out in person. ~ David King / Director / Studio 3 Films

 
To see more of the “Forest for the Trees Northwest” art work located in the Portland area please visit their website at http://www.forestforthetreesnw.com/

Meet Corban: Digital Artist, Video Editor, Animator, Illustrator, an all-around Artist!

We are so excited to introduce Corban who’s now a part of the Digital Art Studio 3 team in Portland! He has many amazing talents. Read below to learn more:

Digital Artist Corban Monger

“I’m a renaissance man, jack-of-all-trades, or as Wile E. Coyote put it: “Super Genius”. The universe is my playground. Even though I’m not yet a master, I’m a journeyman at so many things I can do practically anything. This curious state of being comes from my insatiable thirst for knowledge. There’s always something new to discover. My mind rebells at stagnation. I need problems to solve. I need work to create. Who needs television when the real world is one big sandbox?

Born and raised in Oregon, I was encouraged to follow in the footsteps of my grandfather by becoming an engineer. It certainly made sense considering my aptitude for math and science. Electrical engineering in particular seemed a good choice. I loved technology and what could be done with it. Being on the cutting edge of electronics seemed an exciting prospect.
I enrolled in engineering school at the University of Portland. By day I was your mild mannered engineering student. But by night I was an artist teaching myself drawing, animation, and graphic design. Often people would ask me “What are you doing in engineering school? You should be an artist!” And they were probably right.
The arts were part of my life since childhood. I would draw my favorite cartoon characters or sculpt them out of clay. I’d listen to radio plays or construct cities with Lego bricks on the living room floor. In school I was involved with music and theater, playing multiple instruments, acting in Shakespeare plays, and singing in musicals. From drawing and sculpture to film and theater, the arts captured my attention. But, strangely, it never struck me to pursue it as a career.
The summer after graduation, it finally dawned on me that I was meant to be an artist. Engineering just wasn’t as entirely satisfying as I had hoped. The work was fairly easy. But life in a cubicle didn’t sound exciting or creative. It sounded like a dependable boring job. And that wasn’t really what I wanted.
So it was off to DigiPen Institute of Technology for four years to get educated in the digital arts. It was during that time I fell in love with story, film, and animation. Storyboarding and video editing in particular are my two favorite parts of production. In fact the digital arts as a whole have been wonderfully engaging. As an artist you need to learn everything there is to know about everything to synthesize new art. And the technical nature of the industry satisfies the part of my brain that enjoys solving the puzzles of process.

After working in Seattle for a year, once school was finished, I finally returned to what I consider home: Portland. Seattle was nice, and one day I may return, but for now I’m right where I want to be.” ~ Corban Monger, Digital Artist/Studio3, Inc.

Photographer Craig Wagner: Light Manipulation!

Craig Wagner is brilliant when it comes to manipulating and controlling light. Read below to hear his thoughts around these beautiful images!
I’ve always enjoyed some of the surreal imagery created by Man Ray during the 20th century. My inspiration for these images initially stemmed from past memories of his work. He would use a process known as solarisation and the visual impact, yet basic, was amazing! He created a photogram silhouette of an object, by placing simple objects directly on film plates and adjusting the exposure. This technique would create a “rayogram” look and feel. He was well known for this look and I wanted to create something similar with glassware.
For this shoot I chose to use the Canon 5D Mark III with the Canon 90mm tilt shift lens. This lens allowed more control of the plain of focus, as if I was using a large format view camera.
With my first image I began with a silhouette type look, playing with the composition and selective focus of the glassware, this led me to stacking the glasses on set. I wanted a cooler black & white feel so I began adjusting the hue. I did this by gelling the lights.

Light Manipulation

My next thought was toward tonality, I wanted to simulate a warmer Gelatin silver print so I changed my camera angle to give it a different perspective.

Light Manipulation

Again wanting to create as much “in camera”, not in Adobe Photoshop, I altered the image by holding different glassware in front of the lens until I achieved the “Motion Blur” effect you see here.

Light Manipulation

I must say since I spent so many years shooting with film and now exclusively digital, I sometimes miss the older technology and the in camera control.
To view more of Studio 3’s Product Photography click here!

Meet Niki: Chaos Wrangler with a passion for Commercial Photography!

Niki our newest Studio 3 team member loves Commercial Photography and a space filled with creatives!

 
Studio 3, Inc, Behind the Scenes, Portrait Photography, Lifestyle Photography
 
Every Commercial Photography Studio needs a Niki! We are so elated to introduce our newest addition to the Studio 3 team in Portland! She’s a woman of many talents, interests and experience. She always has something interesting to share with us, to say the least. Read below to learn more:

Commercial Photography

I love sorting through hurricanes of disorder and packing things away neatly into beautifully labelled little boxes. I’m obsessed with systems: analyzing them, creating them, breaking them down and rebuilding them again. This fascination led me to a crazy wonderful studio in the heart of Portland. At Studio 3, I can use my skills to continually improve our near flawless work flows – meaning clients get their photo and video assets faster, with less hassle. Every creative environment needs some structure to balance the forces of inspiration, creating the ideal blend of impeccable execution and expressive flair.
Of course, that doesn’t satiate my need to wrangle the chaos of life. When I’m not at work, I’m keeping track of cats, snakes, chickens and chores at my urban oasis. Thanks to Studio 3, one of my beautiful snakes is determined that she has a modeling career in her future.

Commercial Photography

On the weekend, you can find me at exotic pet shops, Portland’s legendary Urban Farm Store, or piecing together larger than life house projects with a little more than bubblegum and a prayer to the DIY Goddess. My tireless fiancé, a converted cat lover and avid skateboarder, helps me tend to the tomatoes and ensures we have time to tear up epic dance floors at The Goodfoot. Creating our ideal blend of uproar and order is second nature; if anything, it’s where we shine.
When things finally feel calm enough, everyone knows I plop down with a full cup of coffee, a plate of bacon and a textbook on political economies.

Food Photographer David Bell Fish Out of Water

It’s finally summer and that means summer food, like delicious fish…or sardines? David Bell Studio 3’s Food Photographer had quite the challenge ahead of him making the shiny, little fish look quite scrumptious. He decided to shoot a recipe of sardines, radishes, and lemon, highlighting the freshness of it all. Read below to learn about his techniques and inspiration behind the series:

I wanted to shoot this particular recipe, because it is that time of year when the radishes are fresh, yummy, and abundant. As you will see in the images the radishes are roasted, which brings out that fresh, rich flavor that we all love. Not to mention the beautiful color!

Food Photographer

Pairing the radishes with a strong taste, like sardines, makes a very nice earth and ocean dish…delighting the taste buds. Knowing the mix between the two I knew I wanted to create a beautiful daylight effect. Being the control freak that I am I knew I could control this lighting and really bring out the uniqueness of this dish and to create that I used the Studio Strobes. I used the Hasselblad tilt shift adapter to capture the details and showcase the beauty in the elements. I wanted a surface that was not too rustic or modern. My intention was to find a table that could easily be in ones home or even a restaurant.
In the images below I was trying to attain a real & natural look, without everything being overly styled and perfect. For this project I chose to work with a stylist that was trying to break into the industry. This was a fun experience!
I think the lack of perfection in the styling is what draws you in and makes you want to try the dish. I hope this series will make the viewer want to experiment with sardines and fresh, earthy produce!

Food Photographer

Food Photographer

To view more Food Photography images created at Studio 3 please click here!