Studio 3, Inc.

Medical

Pick Up The Phone!

Posted on July 8, 2014

Stressed about your company’s visual needs? Would you rather spend time having fun in the sun? Let Studio 3 ease your mind this summer. We’ve been smashing out countless videos back to back, while continuously providing outstanding photography and flawless production. Oh, did we also mention that our digital team is amaze balls? Trust us, you don’t want to be the only tanless, overworked one at the company party because you didn’t know about Studio 3. Save the embarrassment of all the “are you kidding me?” looks. We’ll make sure you meet that crazy deadline. There’s no reason to miss out on all the perks of working with Studio 3. And no reason to keep on reading, you’re wasting precious beach time – make a Pina Colada, and start dialing!! Make that golden phone call!!!

CW 15086T Pop phone PR 1500 — Studio 3, Inc.

And to make it that much easier, if you didn’t have our number yet, here ya go:

Portland Studio 503.238.1748, ask for Dalcetta

Seattle Studio 206.282.0939, ask for Marcella

 

 

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Throw “Back Alley” Thursday!

Posted on April 24, 2014

There were a lot of good things in the ’80s, like “Pee-Wee’s Playhouse” on Saturday mornings, neon Vuarnet t-shirts with acid washed jeans, and of course, “Mr. T Cereal.” But, there’s still one thing that beats all the rest… and no, it’s not the Richard Simmons Show (even though you were close if that’s what you were thinking). When it comes to the ‘80s, it’s all about the bodacious babes.

Quinton ClubTrack 3.0 — Studio 3, Inc.

With that said, let’s throw it back to the “hair-raising” era of the ‘80s for a totally tubular production with Quinton Cardiology Systems Inc, who is now in merger with Cardiac Science Inc. If you weren’t pumpin’ it in your living room to a Jane Fonda aerobic video, you were gearin’ up in the brightest ensemble with a pair of fabulous leg warmers to hit the gym. Every ‘babe’ was an accessory to any open treadmill around. This bad bod was captured at the end of the decade by our one and only, Lead Shooter Craig Wagner, who has an exceptionally keen eye for lighting. Craig recalls that this sultry production showcasing Quinton’s “Clubtrack” Treadmill, was made possible by an extensive amount of electric light generators and the edgy alleyways of our beloved Emerald City. But he says the REAL star of the show was the ever trending smoke machine which was infamous for adding a retro effect in almost every “mysteriously fab” ’80s photo/video.  Fun photo shoots like this were no rarity for Studio 3… and this one represents the epitome of the ’80s.

Now, we hope you’re feeling inspired. Get off your computer and GET PHYSICAL!

 

 

 

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Raising the Bar with Anthro

Posted on December 19, 2013

Recently, our video department had the exciting opportunity of shooting for Anthro Corporation. Anthro started with a plan to make technology for furniture. Our plan was to take their vision, highlight their latest addition, and bring it to life. Director David King speaks more in depth about putting together this clean and subtly sexy clip!

For anyone who has a job where spending long stretches sitting at a desk is a requirement, I’m sure there are many a day you wish you could just stand up for a while, stretch the back, get the blood flowing back into the legs, and keep on working. When I’m wearing my editor’s hat, it’s not uncommon to pull 10-12 hour shifts sitting in front of the computer. Because of this, when we renovated our edit suite here at Studio 3 Films, finding an adjustable work surface that could be used while sitting or standing was top of the wish list. Once you do any research at all on the subject, the company that tops your search list is Portland-based Anthro Technology Furniture. As an editor, I’ve been aware of Anthro’s product line for many years and was thrilled to be able to build our new edit suite around a desk from the Anthro Elevate series. Motorized height adjustment, tilting keyboard surface, cable management and adjustable monitor arms make this workstation infinitely adjustable for maximum ergonomic comfort. I’m standing as I write this!

Shortly after getting the new desk, Anthro approached us with a need for a video, showcasing one of their desks for an upcoming trade show. While I knew Anthro for their creative field products, they are also very big in the education and medical furniture fields. The product that we were asked to feature is called “Steve’s Station”; a Radiology Desk, featuring acoustic panels, dimmable ambient light, as well as Anthro’s signature height adjustment. The folks at Anthro had a vision of showcasing Steve’s Station as if it were a luxury car, using sexy, low-key lighting, subtle camera movement and a moody music score. I’ve worked on dozens of car commercials over the years so I knew exactly what they wanted and thought it would be great fun to translate that look and feel to an adjustable workstation. It was certainly easier to light without all the reflective surfaces you get from an automobile.

-David King

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Product Photographer Craig Wagner Art of Science!

Posted on December 4, 2012

Product Photographer Craig Wagner set out to highlight scientific equipment to be viewed as art. He focused on using a combination of color, camera angle, and shallow depth of field to create visually appealing “eye candy” out of traditional lab equipment. We are very excited about this amazing collection!

Again I came across an opportunity to have some creative fun in the studio. Recently I scouted the labs at OHSU for an upcoming photo shoot; seeing all the glass beakers, flasks and medical paraphernalia sparked some visual ideas. I asked the scientist if I could brow a few “props” and he graciously handed me a box and we filled it up!

I wanted to create the sense of a clean, sterile lab, but somewhat surreal so I kept my sets simple. For the most part they consisted of a reflective Plexi surface for the table top and various diffusion panels as my backdrops. This allowed me to back-light the sets using our Classic Fresnel Mole Richardson hot lights, specifically their 1000 watt Baby Solarspot as a key-light. This provided smooth and even light control and Mini moles were used as kickers adding shadows and highlights to the glassware.

Always wanting to try out equipment, I approached the studio’s Hasselblad rep and friends at Pro Photo Supply who allowed me to demo Hasselblad’s HTS 1.5 tilt/shift adapter on this project. I mounted the product on our H4D with the standard 80mm f/2.8 lens. I found with it’s extreme tilt and swing capability it provided both technical and creative control of my plane and depth of focus. Up until now I’d only had with my large format Sinar cameras. The shallow depth of focus added to the surreal feel I was after.

Since my subject matter was for the most part clear I knew that the use of color would play an important role in this exercise. So I played with the color palette quite a bit, some times shooting mono chromatic allowing the composition of the flasks and test tubes to carry the image. When shooting other images I selected complimentary colors to create a more vibrant harmonious look and feel. Good old color theory 101!

Product Photographer — Studio 3, Inc.

Product Photographer — Studio 3, Inc.

Product Photographer — Studio 3, Inc.

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