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Photographer Craig Wagner: Light Manipulation!

Posted on August 20, 2013

Craig Wagner is brilliant when it comes to manipulating and controlling light. Read below to hear his thoughts around these beautiful images!

I’ve always enjoyed some of the surreal imagery created by Man Ray during the 20th century. My inspiration for these images initially stemmed from past memories of his work. He would use a process known as solarisation and the visual impact, yet basic, was amazing! He created a photogram silhouette of an object, by placing simple objects directly on film plates and adjusting the exposure. This technique would create a “rayogram” look and feel. He was well known for this look and I wanted to create something similar with glassware.

For this shoot I chose to use the Canon 5D Mark III with the Canon 90mm tilt shift lens. This lens allowed more control of the plain of focus, as if I was using a large format view camera.

With my first image I began with a silhouette type look, playing with the composition and selective focus of the glassware, this led me to stacking the glasses on set. I wanted a cooler black & white feel so I began adjusting the hue. I did this by gelling the lights.

Light Manipulation  — Studio 3, Inc.

My next thought was toward tonality, I wanted to simulate a warmer Gelatin silver print so I changed my camera angle to give it a different perspective.

Light Manipulation  — Studio 3, Inc.

Again wanting to create as much “in camera”, not in Adobe Photoshop, I altered the image by holding different glassware in front of the lens until I achieved the “Motion Blur” effect you see here.

Light Manipulation  — Studio 3, Inc.

I must say since I spent so many years shooting with film and now exclusively digital, I sometimes miss the older technology and the in camera control.

To view more of Studio 3’s Product Photography click here!

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Commercial Product Photographer Chris Eltrich and Splashing Goggles!

Posted on July 16, 2013

Commercial Product Photographer Chris Eltrich has been playing with splashes to add some fun to his photography portfolio. His recent shoot included goggles and an aquarium. It was a day full of fun that ended with Chris dropping everything from lemons to bananas in the water to see which created the best splash. When it comes to focusing on the perfect splash, Chris offers some insight on how to get the job done:

The biggest challenge to the splash shot is the timing. Just capturing the splash is fairly challenging, but you want the product to look good too. You could, alternatively, take a bunch of shots and composite pieces together, but I wanted to get the splash and product in the same shot, so I needed a consistent method. Now at this point, a gear savvy photographer would begin assembling an elaborate system to trigger the camera when the product falls past a certain point, that you can tune to a fraction of a second. But as the jobs of my generation are slowly being appropriated by “the machines”, I decided to go all “John Henry” and show these machines we humans are still relevant.

commercial product photography  — Studio 3, Inc.

I had my assistant drop the goggles about two feet above the water and I hit the shutter right before they landed. The first drop turned great, so I gave myself a congratulatory pat on the back (actually, I instructed my assistant to give me a congratulatory pat on the back.) Oh the joys of being a professional photographer. And so we began our day-long adventure in dropping things in an aquarium.

commercial product photography  — Studio 3, Inc.

After a morning of getting great shots of goggles and receiving upwards of forty congratulatory pats on the back (so many that I ended up congratulating him with seven pats of his own), my timing abilities began to decline, and I started getting a lot of pictures of an empty tank or a pair of goggles floating.

Gogcommercial product photography  — Studio 3, Inc.

Now some would fault me with not hitting the shutter at the right time, but I believe it was the machines, jealous of my amazing “early morning” timing, using some sort of time travel device or computer virus to stop me from getting amazing product photography consistently all day. Luckily, since I had already taken some shots that I loved in the morning we still felt like we had defeated the growing menace that is automation.

To view more of our Commercial Product Photography please click here!

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Studio 3 Films highlights Stanley Hydraulic product!

Posted on June 21, 2013

We are so excited about our continued partnership with Stanley Hydraulics Tools! Check out the video below and stay tuned for more to come! For a little bit of insight into this video shoot check out words from the Director and head of our video department, David King.

So who knew, that up until now, it was impossible to use more than one Hydraulic tool at a time, using the same power source? Me neither! That’s the great thing about life here at Studio 3 Films. You learn something new with each project whether you thought you needed it or not.

Our long-time client, Stanley Hydraulic Tools, came to us with another product launch and a desire for a video to generate excitement within the sales force. The HP TWIN8 Hydraulic Power Unit is unique in the industry in that it can run two tools at once without a drop in power output. An important feature if there’s a water main break and you need to break up the asphalt and start pumping water simultaneously.

The Stanley folks wanted some consistency in style from the video we did for their railroad spike puller – the SPL-31, but needed to have the whole thing shot in studio. Dramatic lighting on wet concrete and camera movement mixed with rotating the unit on our industrial strength turntable gave us the look they wanted. Combine that with some existing footage from an actual job site, a rocking score and a killer voiceover and we were able to launch the HP TWIN8 in style.

Have a look at our latest production for Stanley Hydraulic Tools and tell me you don’t want one.

To view more of Studio 3 Film’s video reel click here!

To view more visual assets check out our website at www.studio3.com

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Product Photographer Craig Wagner Time for a Dip!

Posted on March 26, 2013

Product Photographer Craig Wagner puts his creative skills to use for our client Nixon. Utilizing natural elements to add drama and movement brings these watch images to life. Read below for a few words from Craig!

This photo shoot required a lot of teamwork and was a problem solver’s dream. It was obvious that digital art would be needed but I chose to capture as much as we could in camera giving the final image a surreal look.

For the first image of the Nixon Dip Dye collection we utilized the Profoto Pro-8a 2400 power packs for their high flash duration to capture the water splashes and their impressive recycle time to capture the floating colored dyes.  Studio3’s custom made “Time-Delay” triggering device allowed us to precisely control the amount and height of each splash.  Managing the colored dye proved to be the real creative challenge on this shoot.  Our studio producer rounded up a variety of colored powdered pigments and dyes to suspend in the water.  We were surprised to find that regular kitchen food coloring provided us the results we were after.  To get the right amount of movement of the dye we used a 33 gallon tank which allowed us enough water space to create just the right current.  

Product Photographer  — Studio 3, Inc.

The second image below of the Nixon Velvet collection was shot on black plexiglass utilizing our Roscoe smoke machine. which we love to pull off the shelf and add into many of our fun creative shoots.  Finding that the smoke was a big challenge to manage its direction and flow on such a small set, we turned to dry-ice which provided a smaller much more controllable amount of vapor flow.  Adding colored gels to our strobes really made the smoke stand out and added a lot of movement to the overall image.  Nixon’s creative team was great to work with.  They had a (tight) solid concept but were very open to experimentation and my team’s input. This shoot gave us the opportunity to play with some new equipment, pull some of our fun gadgets off the shelves and exercise our creativity to bring these Nixon watches to life!

Product Photographer  — Studio 3, Inc.

To view these on the Nixon website click here!

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Studio 3 Films Director David King and Hog Wild's President Joe Rooper discuss their latest video project!

Posted on March 19, 2013

Studio 3 Films, Behind the Scenes, Click Shot Commercial Video, Power Popper Commercial Video

 

Studio 3 Films is so excited to partner with Hogwild in Portland to highlight their latest products! For insight into this video project read below to hear from our Director, David King!

Hog Wild, a Portland toy company and one of our long-time photography clients, came to us with a need for two video commercials to launch their newest products: Click Shots and Power Poppers. Both spots were to be shot in studio, featuring kids, voiceover and a lot of action.  We brought in frequent collaborator and Director of Photography Andy Maser with his RED Epic for the shoot.  We wanted to shoot with the RED for a couple of reasons: 240 frames per second, slow motion would help us capture the fast action of the products and the 4k resolution at 24 frames would give us the option of doing some fast, optical zooms in post production.

We shot the spots over two days; one day at Studio 3, and because our stage was already booked for another shoot, we shot the next day at Picture This Studios. While not professionals, the kids were fantastic. The RED Epic performed as expected. Two weeks later, the post production was done and the spots were on their way to Hong Kong for one of the biggest toy trade shows in the world.

“Studio 3 produced two .30 TV commercials for us. Both were for toy products brand new to the market and both need high energy and pizzazz. We gave them a decent script and storyboard but what they came back with based upon their creative input, camera techniques, direction and post production was a mile above where we started. We’ve used other companies for our TV spots in the past but we’re incredibly happy with the results we received from Studio 3.  Three thumbs up for their creative smarts, direction and technical expertise.” President/CEO Hogwild

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Product Photographer Matt Jebbia Dior Brush!

Posted on February 19, 2013

Product Photographer Matt Jebbia set out with a goal of showing movement in a still object. His inspiration of the beauty product industry shines below in his latest image.  Read below for a few words from Matt.

Its well known around the studio that I have a little fetish for beauty products.  Not for personal use per se, but I find them a lot of fun to photograph.  For one there are so many different varieties, with all kinds of colors, glass, metals, and plastics to choose from.  I started a few months ago shooting a couple of Dior products and decided to continue to add to my portfolio with this Dior brush.  My goal with this image was to add to the current series of beauty product images centered around the Dior brand and I wanted to add some life to the Dior brush given that it’s a static object.

Product Photographer  — Studio 3, Inc.

So I decided to throw some powder onto the brush and blow it away.  I started by setting up two rim lights accenting the brush from just behind and to the right and left side of the brush.  Studio 3’s photographer – David Bell uses this lighting setup for some of his shoots and I decided it would work perfectly for the image I wanted to create.  Adding a small silver reflector in front of the camera added some light to the front of the brush and brought out the silver tones in the brush banding.  With the static image in place I added powder to the top of the brush and a Nikon SB 800 speed-light from below to add some light to the powder as I blew it off the brush with canned air.  It took a bit of trial and error to get the desired powder bursts, but in the end I loved several of the captures so much I decided to have our amazing digital artists composite several of the powder bursts into the final image. – Matt Jebbia

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Commercial Photographer David Bell Tick Tock!

Posted on February 5, 2013

Commercial Photographer David Bell had some spare time on his hands, and the inspiration to create a collection of beautiful images showcasing the technology and texture of the Diesel watch collection. A few words from David…

I decided to shoot a collection of Deisel watches in order to create a new product photography series for my portfolio. I’ve always loved how fascinating a watch can be from the technology, materials, gadgets, weight, and pure beauty of the details.

I included added textures to highlight the specific components of each watch by photographing them in different environments to compliment the design. I chose these products due to the challenge and pleasure I derive from photographing something with extreme complexity. My goal was to make the watches stand out individually and seen as a series. I wanted them to pop and stand alone from the backgrounds in a hero type fashion. I chose the backgrounds based on specific element in the watches so it had a beautiful composition. As you can see the bold watches were matched with dark and gritty backgrounds to compliment the gears.

I chose to work with the Hasselblad H3D-39 megapixel back camera with the tilt shift adapter. The decision to use this camera which is a medium format platform is due to the large sensor that allows for capturing fine details. The high res nature of this equipment is my ideal shooting device. My chosen lighting technique was either dramatic or high key depending on the background and the end look I desired. I used the Speedtron Studio Strobe Lighting kit with utilizing grids, spots and floods; that helped with creating the desired effect. I am looking forward to my next inspiration and having a day off to play and be creative. Enjoy the collection below!

Commercial Photographer  — Studio 3, Inc.

Commercial Photographer  — Studio 3, Inc.

Commercial Photographer  — Studio 3, Inc.

Commercial Photographer  — Studio 3, Inc.

Commercial Photographer  — Studio 3, Inc.

Commercial Photographer  — Studio 3, Inc.

Commercial Photographer  — Studio 3, Inc.

Commercial Photographer  — Studio 3, Inc.

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Commercial Product Photographer Craig Wagner Live Hard Work Hard!

Posted on January 29, 2013

We all agree around Studio 3 that Craig Wagner is one of the hardest working photographers around.  And his lighting skills are truly amazing!  What he can do with an ordinary pile of broken concrete and a pair of work boots rocks! A few thoughts from Commercial Product Photographer Craig Wagner!

This was truly a smoke and mirrors shot. I returned from a location shoot to a pile of rubble sitting in the studio. This was left over from a previous project. How could I let this opportunity pass? I pulled a few tools from my garage for props, contrasted the rough concrete texture with smoke, and asked my producer to locate a pair of boots. Nothing like a bit of inspiration after a shoot day!

I found myself in a rock and a hard place on this project due to working alone, which I may add, I do prefer sometimes during photo testing. It can greatly help with the creative juices. Normally, as a team we get extremely involved in the concepting process, but this project was extremely spontaneous. So it was completely up to me!

Commercial Product Photographer  — Studio 3, Inc.

 

I had to operate the Hasselblad and the Roscoe Smoke Machine at the same time. What to do? I recently downloaded Phocus App for my Iphone 5 that enabled me to trigger the camera and operate the smoke machine while being away from the eye of the camera. I am not trying to do a big recommendation for this App, but its pretty cool. It allows me to completely control the camera functions with not being tied to the camera or the computer and it even gives me a preview mode so I’m not running back and forth to the computer screen. This is a really great tool for our Commercial Photography clients and one of the great things about working at Studio 3 is we are always up to date on the latest technology!

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Technology Photographer Henry Ngan Up Close and Personal!

Posted on January 15, 2013

Tech-Guru and Photographer Henry Ngan takes us on a micro journey into the inner workings of an Intel board.  If you have ever wondered what runs the high processing computer systems of today check out these beautiful images.  Read on for a few words from Henry on this tech savvy shoot and yes we call him the Technology Photographer here at Studio 3!

 If you look at this internal computer hardware in ordinary light, it would look very industrial and a little on the rough side like maybe an uncut diamond. So my inspiration was to make this motherboard look more like polished jewelry basking in really nice golden light.

Technology Photographer  — Studio 3, Inc.

The other image was more Star Wars like in cool light. I had to handle the board and attached components very carefully guarding against static charges which would render the product useless. There were only 2 light sources used but the lighting was expanded in many directions using lots of reflectors of different sorts and mirrors. This was shot with a Canon 5D MkIII camera with a 100mm lens and some depth of field optimizing software.

Technology Photographer  — Studio 3, Inc.

On board the DQ77MK is Intel’s 3rd Generation Core i5 3570K unlocked, based on the 22nm Ivy Bridge Architecture.  The 3570K seems to be the gamer and over clocker’s choice at the moment.  So I decided to capture this Intergalactic Battleship with the 3570K mounted in the LGA1155 socket cruising overhead in the night sky. The other image of the Q77 chipset board shows off the amazing array of input/output headers, including SuperSpeed USB 3.0, high power USB, dual Intel Pro 1000 NICs, DVI-I plus DVI-D, eSATA, and even legacy support for IEEE1394 (firewire).  The board is actually more of a mainstream business board with support for Intel vPro Technology.  The i7 3770K is also supported on this board if you need HT for video editing.  Sorry for geeking out but this is what goes through my mind when I’m shooting technology. – Henry Ngan

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Product Photographer Matt Jebbia Hydrate for Life!

Posted on January 8, 2013

Product Photographer Matt Jebbia puts his creative skills to use by breathing life into an ordinary subject.  Utilizing water to help add drama and movement brings this image to life.  Read below for a few words on this shoot by photographer Matt Jebbia.

Working with glass objects is probably one of my favorite products to work with.  That combined with water just always seems to enhance an image and bring the subject to life.  I planned the image out in my mind and on paper but it wasn’t until I assisted Studio3 photographer Craig Wagner on a Nixon watch photo shoot incorporating splash photography that I was able to create this image exactly the way I had envisioned.  In a previous blog post we mentioned a shoot that Craig Wagner and I participated in utilizing the Broncolor Scoro S power packs.  We suspended objects in a water tank and dropped objects into a water tank and captured splash images.  Before striking that set I decided it was my time to finish this image the way I had planned.

Product Photographer  — Studio 3, Inc.

I suspended the Dior Hydra-life product from a piece of round plexi into the 33 gallon tank upside down. I know in previous attempts that dropping an object like this into water is a time consuming adventure so I decided for this image to suspend it.  I really only wanted the object to have nice lighting and the real splash came when I removed the Dior bottle and went to work on the perfect water ripple.

To get the perfect water ripple we used a small eyedropper and a cup full of water.  I did several takes but as it works out sometimes the perfect shot is usually the first.  When our digital team and I began working on the retouching I thought something was just missing from the final image.  So I asked our Digital Artist Alex to create a droplet of water suspended and falling off the side of the Dior bottle.  I think with that addition it brought the whole image together.  – Matt Jebbia

To see more images in the Dior Collection photographed by Matt Jebbia click here!

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