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Meet Corban: Digital Artist, Video Editor, Animator, Illustrator, an all-around Artist!

Posted on September 16, 2013

We are so excited to introduce Corban who’s now a part of the Digital Art Studio 3 team in Portland! He has many amazing talents. Read below to learn more:

Digital Artist Corban Monger  — Studio 3, Inc.

“I’m a renaissance man, jack-of-all-trades, or as Wile E. Coyote put it: “Super Genius”. The universe is my playground. Even though I’m not yet a master, I’m a journeyman at so many things I can do practically anything. This curious state of being comes from my insatiable thirst for knowledge. There’s always something new to discover. My mind rebells at stagnation. I need problems to solve. I need work to create. Who needs television when the real world is one big sandbox?

Born and raised in Oregon, I was encouraged to follow in the footsteps of my grandfather by becoming an engineer. It certainly made sense considering my aptitude for math and science. Electrical engineering in particular seemed a good choice. I loved technology and what could be done with it. Being on the cutting edge of electronics seemed an exciting prospect.

I enrolled in engineering school at the University of Portland. By day I was your mild mannered engineering student. But by night I was an artist teaching myself drawing, animation, and graphic design. Often people would ask me “What are you doing in engineering school? You should be an artist!” And they were probably right.

The arts were part of my life since childhood. I would draw my favorite cartoon characters or sculpt them out of clay. I’d listen to radio plays or construct cities with Lego bricks on the living room floor. In school I was involved with music and theater, playing multiple instruments, acting in Shakespeare plays, and singing in musicals. From drawing and sculpture to film and theater, the arts captured my attention. But, strangely, it never struck me to pursue it as a career.

The summer after graduation, it finally dawned on me that I was meant to be an artist. Engineering just wasn’t as entirely satisfying as I had hoped. The work was fairly easy. But life in a cubicle didn’t sound exciting or creative. It sounded like a dependable boring job. And that wasn’t really what I wanted.

So it was off to DigiPen Institute of Technology for four years to get educated in the digital arts. It was during that time I fell in love with story, film, and animation. Storyboarding and video editing in particular are my two favorite parts of production. In fact the digital arts as a whole have been wonderfully engaging. As an artist you need to learn everything there is to know about everything to synthesize new art. And the technical nature of the industry satisfies the part of my brain that enjoys solving the puzzles of process.

After working in Seattle for a year, once school was finished, I finally returned to what I consider home: Portland. Seattle was nice, and one day I may return, but for now I’m right where I want to be.” ~ Corban Monger, Digital Artist/Studio3, Inc.

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Photographer Craig Wagner: Light Manipulation!

Posted on August 20, 2013

Craig Wagner is brilliant when it comes to manipulating and controlling light. Read below to hear his thoughts around these beautiful images!

I’ve always enjoyed some of the surreal imagery created by Man Ray during the 20th century. My inspiration for these images initially stemmed from past memories of his work. He would use a process known as solarisation and the visual impact, yet basic, was amazing! He created a photogram silhouette of an object, by placing simple objects directly on film plates and adjusting the exposure. This technique would create a “rayogram” look and feel. He was well known for this look and I wanted to create something similar with glassware.

For this shoot I chose to use the Canon 5D Mark III with the Canon 90mm tilt shift lens. This lens allowed more control of the plain of focus, as if I was using a large format view camera.

With my first image I began with a silhouette type look, playing with the composition and selective focus of the glassware, this led me to stacking the glasses on set. I wanted a cooler black & white feel so I began adjusting the hue. I did this by gelling the lights.

Light Manipulation  — Studio 3, Inc.

My next thought was toward tonality, I wanted to simulate a warmer Gelatin silver print so I changed my camera angle to give it a different perspective.

Light Manipulation  — Studio 3, Inc.

Again wanting to create as much “in camera”, not in Adobe Photoshop, I altered the image by holding different glassware in front of the lens until I achieved the “Motion Blur” effect you see here.

Light Manipulation  — Studio 3, Inc.

I must say since I spent so many years shooting with film and now exclusively digital, I sometimes miss the older technology and the in camera control.

To view more of Studio 3’s Product Photography click here!

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Meet Niki: Chaos Wrangler with a passion for Commercial Photography!

Posted on August 15, 2013

Niki our newest Studio 3 team member loves Commercial Photography and a space filled with creatives!

 

Studio 3, Inc, Behind the Scenes, Portrait Photography, Lifestyle Photography

 

Every Commercial Photography Studio needs a Niki! We are so elated to introduce our newest addition to the Studio 3 team in Portland! She’s a woman of many talents, interests and experience. She always has something interesting to share with us, to say the least. Read below to learn more:

Commercial Photography   — Studio 3, Inc.

I love sorting through hurricanes of disorder and packing things away neatly into beautifully labelled little boxes. I’m obsessed with systems: analyzing them, creating them, breaking them down and rebuilding them again. This fascination led me to a crazy wonderful studio in the heart of Portland. At Studio 3, I can use my skills to continually improve our near flawless work flows – meaning clients get their photo and video assets faster, with less hassle. Every creative environment needs some structure to balance the forces of inspiration, creating the ideal blend of impeccable execution and expressive flair.

Of course, that doesn’t satiate my need to wrangle the chaos of life. When I’m not at work, I’m keeping track of cats, snakes, chickens and chores at my urban oasis. Thanks to Studio 3, one of my beautiful snakes is determined that she has a modeling career in her future.

Commercial Photography  — Studio 3, Inc.

On the weekend, you can find me at exotic pet shops, Portland’s legendary Urban Farm Store, or piecing together larger than life house projects with a little more than bubblegum and a prayer to the DIY Goddess. My tireless fiancé, a converted cat lover and avid skateboarder, helps me tend to the tomatoes and ensures we have time to tear up epic dance floors at The Goodfoot. Creating our ideal blend of uproar and order is second nature; if anything, it’s where we shine.

When things finally feel calm enough, everyone knows I plop down with a full cup of coffee, a plate of bacon and a textbook on political economies.

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Food Photographer David Bell Fish Out of Water

Posted on June 25, 2013

It’s finally summer and that means summer food, like delicious fish…or sardines? David Bell Studio 3’s Food Photographer had quite the challenge ahead of him making the shiny, little fish look quite scrumptious. He decided to shoot a recipe of sardines, radishes, and lemon, highlighting the freshness of it all. Read below to learn about his techniques and inspiration behind the series:

I wanted to shoot this particular recipe, because it is that time of year when the radishes are fresh, yummy, and abundant. As you will see in the images the radishes are roasted, which brings out that fresh, rich flavor that we all love. Not to mention the beautiful color!

Food Photographer  — Studio 3, Inc.

Pairing the radishes with a strong taste, like sardines, makes a very nice earth and ocean dish…delighting the taste buds. Knowing the mix between the two I knew I wanted to create a beautiful daylight effect. Being the control freak that I am I knew I could control this lighting and really bring out the uniqueness of this dish and to create that I used the Studio Strobes. I used the Hasselblad tilt shift adapter to capture the details and showcase the beauty in the elements. I wanted a surface that was not too rustic or modern. My intention was to find a table that could easily be in ones home or even a restaurant.

In the images below I was trying to attain a real & natural look, without everything being overly styled and perfect. For this project I chose to work with a stylist that was trying to break into the industry. This was a fun experience!

I think the lack of perfection in the styling is what draws you in and makes you want to try the dish. I hope this series will make the viewer want to experiment with sardines and fresh, earthy produce!

Food Photographer  — Studio 3, Inc.

Food Photographer  — Studio 3, Inc.

To view more Food Photography images created at Studio 3 please click here!

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