Meet the Marketers

Studio 3, Inc. has added new members to our close-knit team, and we would like to introduce them to you. Jack Biehn has an impressive resume for his young age. He is already fast at work developing client relationships in the Portland and Seattle markets in his role as Ambassador of Accounts. If you haven’t already met him, stop in, or give us a call. We have a feeling you will like him, it’s hard not to.
Studio Portraits
“Born and raised in Portland, OR, I am a Portlandian down to my very core. Being raised in a family where advertising and the arts were important, I was fortunate enough to know what I wanted to do from an early age. My other passion besides the arts growing up was sports. Playing football in high school and some in college, I learned the discipline that helped me succeed in whatever venture I decided to go into! Being everything from a Market Research Analyst to an Assistant Manager at Voodoo Doughnuts, I never knew quite where life was going to take me, until one day Account Management chose me.
After being in a creative space, and being part of so many amazing campaigns, there is no looking back. You can find me on my days off traveling to the coast, in the tattoo parlor, getting my ink touched up, or on adventures to parts unknown!”
Jackson Biehn on location in Seattle   Eva Goldfarb on Location in Portland
Eva Goldfarb has already put on a few hats at Studio 3, Inc. She is busy creating social media campaigns for our photography studios Portland and Seattle as well as assisting on the Portland production team. Let’s get social! Check out what Eva has been up to on Twitter, Facebook, and Instagram, and gain an inside view of what it’s like to work with Studio 3, Inc.
Studio Portraits
“I slay in the kitchen and in the studio. My artistic eye and word witticism keep my marketing material funky fresh. Stereotypes of the solitude writer aside, I love people and am quick to pick up a quirky conversation with just about anyone. Moving to the PNW after an epic six-month cross-country trip, Portland glistened as the best city to be a creative, foodie, and adventure seeker.
After receiving my degree in Arts Management, I served my time in the service industry and traveled as much as I could—gaining insight into the global art sector and collecting ideas. Having finally found my idiosyncratic home, it’s time to flex my marketing muscles.”
 
 
 
 

Stepping On-Location with Studio 3, Inc.

Three weeks into the job and it was time for my first on-location shoot with Studio 3, Inc. I boarded Bolt Bus, a company favorite, and set off for Seattle, eager to see Studio 3, Inc.’s cool studio space in the shadow of the Space Needle.
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The day started with Chanel Everett, the studio’s Princess of Production, hand selecting an Adidas wardrobe that interpreted the clients’ art direction. With a mood board compiled of different lifestyle, apparel and shoe photography, we set off for the previously scouted Seattle setting.
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Two vintage cars, a cooler, breakfast, lunch, snacks, racks of athletic apparel, dope enough to make any rapper weep, and the slaying photography skills of Studio 3, Inc.’s Trevor Boone—all the ingredients needed for success. I loved the Seattle cityscape, lifestyle photography theme and getting to assist with production stills.
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The location was picked to compliment the Seattle rapper’s song “Hometown.” Bringing the urban background of the city into portrait photography, Trevor Boone was able to capture stunning duality that showcased not only his professional talent, but the personality of Raz Simone and an edge to Adidas footwear photography.
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Images just came through the Studio 3, Inc. digital team, and we are stoked! Our in-house digital department works closely with our photographers and marketing team—removing power lines, clearing alleyway undesirables, and bringing the client’s vision to life every time. Check out a few of our favorite shots from the day.
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We will be dropping more images from the shoot, so be sure to follow us on Twitter, Instagram and Facebook. When you decide to become a part of the fun, give us a call or stop by one of our studios to talk photography, video and serious retouching skills.
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Written by: Eva Goldfarb, Marketing Coordinator @ Studio 3, Inc.

14 Reasons to Love Studio 3, Inc.

Photo Credit: David Bell, Studio 3, Inc.
Photo Credit: David Bell, Studio 3, Inc.

Reaching out to clients and our team, we have compiled a list of just a few reasons you will love Studio 3, Inc. The balance of exceptional skill, competitive pricing and LOTS of fun is what brings our long-term clients back again and again, while also attracting new ones. In other words, what is it that makes you say “Wow! Maybe it’s time to work with Studio 3.”
“Beyond expectation”
“Creative people, all day every day”
“Dynamic, visual storytelling”
“Top-notch production”
“Good people. Great Photos”
“On budget. On time. Every time.”
“Savvy producers”
“Best Mexican food in Seattle”
“Collaborative group”
“Naturally on the same page”
“Consistency & meticulousness”
“Decades of experience”
“Audgie, the studio dog”
“Teamwork and creativity that make our client’s creative ambitions come to life”
Don’t take our word for it, visit our Portland or Seattle studio and see for yourself! Drop us a line, we would love to talk photography, video or retouching with you over a cup of Stash tea or a game of ping-pong.

Chatting with Studio 3 Co-Founder, Jim Felt

Studio 3 has was established in 1978 by three high school buddies. We sat down with one of the founding members, Jim Felt, to learn a little more about his lengthy career in photography.
How long have you been a photographer?
I got my first camera in 8th grade but it didn’t occur to me then I would become a photographer and remain a photographer.

skater-empty-pool
What was the biggest “uh oh” moment you can recall having on a set?
We forgot our light meter for a shoot in Oklahoma City. The shoot was during a sunset and we needed that light meter. We called every shop in town and of course nobody had anything for us to use. So I went ahead took the photo without a light meter and it turned out perfect anyway. The client never knew.
pilot-sunset
 
What was the most innovative “MacGyver moment” you’ve had on set?
I was at the Redstone Arsenal in Alabama getting ready to shoot a space shuttle. The shuttle flew in on a 747 and we were there to do a mid-operation shoot. The problem was, how was I going to light this thing? I realized that this military base was full of firemen, so I walked up to them and asked them, “Hey, can we use your spotlights to light up this space shuttle?”  They agreed and we got the firemen to use the spotlights on their trucks to light up the shuttle.
spaceshuttle-747
 
What was the craziest thing you caught on camera that wasn’t for a shoot?
It was 1968 and rioting over the assassination of Martin Luther King Jr had begun in the Lloyd Center area of Portland. My buddy and I were cruising around and pulled up to the completely empty parking lot of the Lloyd Center Mall. Armed with our Nikons, we approached the mall and it looked abandoned, except for the cop cars that were parked inside of the mall. We proceeded to walk around taking photos of this creepy, empty mall when finally we hear a voice, “What the hell do you think you are doing here?” It was the police, with their guns. They were telling us to leave and even tried to take our film. We had cameras and they had tommy guns.
jim-portrait
 
There have been some unbelievable moments that I’ve captured over the course of my photography career (some planned, some un-planned) and I wouldn’t trade my experience for any other profession in the world. It’s been exciting to watch Studio 3 grow through the “film-days”, into digital, and I can’t wait to see what happens next as we move into virtual/ augmented reality!

A Glimpse at Photography Production

cotton candy dog bone
When you stumble across a flawlessly delicious image you can’t help but wonder; how did they make it look so good? While we can’t reveal all of our secrets, we can certainly give you a glimpse into the messy, hectic, chaotic yet beautiful world of Commercial Photography told from our Seattle Producer herself….
Drinks at Happy Hour
A job always begins with an estimate request, and historically, those like to come flooding in on Friday afternoons, just as I’m ready to walk out the door for Happy Hour.
Christmas Kitty
During the estimate process I learn if I need to find a location, source props, hire a model, or even bring in the occasional docile cat like we did for the Humane Society Cat Calendar. Oftentimes, it’s about finding ways to make the impossible, possible.
Dip Dyed Watches
With just two words, “we’re approved”, the Production office turns into a hub of organized chaos. Location scouting, hiring talent, finding the perfect stylist, scheduling Post Production…. it’s all part of the thrill in getting everything finalized for the next big photo-shoot and sometimes it’s just hours away!
Egg Nog
For a recent issue of Seattle Magazine I was tasked with organizing 20+ food and beverage rock stars to be in the Studio on the same day for their specialty items to be photographed for a feature story in the magazine. Sounds easy enough until you find out that Bakers start their day at 4:00AM when Bartenders are on their way to sleep!! Scheduling the two to be at the studio at the same time is challenging… but we always find ways to make it work.
Espresso and Sugar Cubes
Now, flash forward through the shoot day(s), hours of color correcting and retouching, and final file delivery and it’s clear that a lot of people have put their blood, sweat, and tears into producing that picture perfect image. Then, when it’s a wrap we wake up the next morning, chug our favorite caffeinated beverage, and happily do it all over again.