Happy Earth Day from Studio 3, Inc.

We not only create green brand campaigns for clients, we live them.

Earth Day is the world’s largest environmental movement, celebrating sustainability, environmental protection, and the green movement across the globe. Today, we celebrate the earthy efforts of our team and clients- highlighting six clients who put their green foot forward.

Working to reduce our ecological footprint our team jogs to work, takes the Tri-met and Metro Transit systems, and runs errands on our bikes.

Studio 3 TeamBike Portland

Many members of our team have adopted an eco-friendly plant-based diet, positively impacting the planet with each meal. Here are a few of our favorite neighborhood eateries: Sudra, the Slice Pizza Company, and Providore.

Meet the Studio 3, Inc Team

Studio 3 Service Day

Each year our team decides on a service day to honor our community and environment. This year we volunteered at the Oregon Food Bank’s Eastside Learning Garden to dig in and work together on seasonal gardening projects. We prepped, weeded, and cleared garden beds to then plant rows of swiss chard. Go, team!

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In alignment with our office values, many of our clients strongly believe in and practice social and environmental responsibility.

Stash Tea reuses and recycles packing materials in their shipping department while investing in renewable energy through the purchase of green power through Portland General Electric.

Have you heard of Ecoroofs?

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We captured Portland’s Ecoroof Program for Portland client, Environmental Services. These Ecoroofs replace conventional roofing with a living, breathing vegetated roof system. They save energy, reduce pollution, decrease erosion, and significantly lower stormwater runoff.

Other Studio 3 clients such as Costco, Amazon, Adidas, and Nike do their part to reduce, reuse, and recycle.

Costco understands that it has a responsibility to source its products in a way that is respectful to the environment and to the people associated with that environment. Our goal is to help provide a net positive impact for communities in commodity-producing landscapes, by doing our part to help reduce the loss of natural forests and other natural ecosystems, which include native and/or intact grasslands, peatlands, savannas, and wetlands.” – Costco Spokesperson

Amazon has installed rooftop solar on distribution warehouses and has implemented wind and solar farms in Ireland, Switzerland, and the United States.

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Adidas recently unveiled Futurecraft Loop, a running shoe that was made to be re-made. Adidas designed the shoe with 100 percent reusable TPU and it’s constructed with no other added chemicals or adhesives.

Nike started a Reuse-a-Shoe program which encourages its customers to recycle their shoes. The program accepts any brand of athletic shoes and grinds them into new sports surfaces. So far, 28 million shoes have been tossed in the shredder box.

We have entered the era of conscious consumerism.

In need of photography or videography for your farm, production, recycling, or shipping methods to demonstrate your eco-friendly side? Studio 3 will capture the greener side of your company. We’ll bring cameras, drones, and herbivorous snacks.

Happy Earth Day from Studio 3, Inc.

A Focus On Food: Our Tricks And Tips Behind Food + Beverage Photography

Most people don’t think about the way food is photographed – they think about how it will taste! But ask any professional photographer that has worked with food or beverages, and they’ll tell you that there’s a litany of tricks and tips to making food look delicious and distinctive. From Hollywood trickery to spatial geometry – we’ve put together a list of our own to help you capture your next meal with expert-level elegance.

  1. Choosing the right background for the food at hand

Not all surfaces and backgrounds are photogenic. And while others might be beautiful on their own, they still may not necessarily complement the food/beverage at hand. So, what are some factors to consider when selecting a background? Color is a big one. Ideally, you want to avoid overly-bright colors or busy patterns that will distract from your subject. A shiny surface probably wouldn’t be a good choice either. Using neutral or pastel color palettes can go a long way in making your food/beverage ‘pop’- in a similar way that a certain color might bring out a person’s eyes. For instance, if most food contains warm color tones, it might be a good idea to shoot against cool-toned surfaces to create a pleasing contrast. If you want to learn more about how to create ‘color harmony,’ check out this helpful article on the subject, which also includes some useful guides.
You can also use the background to express character, suggest a mood, or establish a sense of place. Here’s a photo taken by Studio 3’s very own David Bell, which showcases a delicious chocolate cake placed in a rustic environment. The flooring suggests farm-style, naturalism, organic ingredients etc., while the rich brown tones in the wood compliment the chocolate perfectly.     
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  1. Knolling style – to use or not to use?

You may not be familiar with the term, but you’re definitely familiar with the style. ‘Knolling’ refers to this style of photography:
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Bright + even lighting, Birds-Eye point-of-view, and a meticulous arrangement of items. First popularized in 1987 by a janitor who would fastidiously arrange the various construction tools he found around the warehouse, ‘Knolling’ photography has recently taken over Instagram as one of the most prolific trends in recent years – and has also found a strong niche in food/beverage photography. It’s easy to see why: if executed correctly, Knolling photography has a unique way of making any subject look bold and dazzling – even if it’s just some popcorn. Right angles, clusters of color, and clean/crisp lines are the name of the game. An appreciation of image composition, as well as the spatial relationships between objects will help your Knolling photography soar.

  1. Using mist, glycerine, and other fakery

Want that ultra-fresh, dripping condensation look? Simply hit your glass with some mist! Or even better yet, many professionals will use Glycerin to the same effect. It gives your food/drinks a cold, fresh look, which in turn makes them appear more delectable. This is especially true of foods like fruits and veggies. If you see food in photographs looking wet or frosty, then you can bet your top dollar that glycerin was used! Think of your classic vending machine: can you picture those big water droplets rolling off a cold can of Coke on the front image? Yup, that’s either mist or Glycerin.
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If your image requires ice, we highly suggest the use of fake ice cubes. Obviously, real ice melts, thus requiring frequent re-sets, which can take time and money away from your project (and also make a mess!). If you happen to be using glass, real ice will also cause significant fogging, obscuring your subject even more. These are just a few of the reasons professional photographers have embraced the use of fake ice and other perishable food prop replacements.   

  1. Styling: Paint, pins, and putty

Screen Shot 2018-11-07 at 1.00.32 PMIt takes a fine touch. There are countless cosmetic steps food stylists can take to improve the overall quality and composition of your food/beverage photography. Remember, we’re not actually serving the food, so no need to shy away from using un-edible items to get the necessary shot. Metal pins, for instance, can be used to hold food in place if you want to display the perfect balance of ingredients without them falling over. Photographer and food stylists will also use non-stick putty to the same effect, like so:
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Ultimately, it’s about arranging and styling your subject to maximize it’s photogenic potential. Is your food stackable, or should it be fanned out, serving style? Does your subject have green stems? Should a side dish be included? What about some unique serving flatware? You can even utilize acrylic paint to boost colors, cover up blemishes, and even create patterns if desired. Get creative here! Like any good dish, there is a lot more to the finished product than merely the sum of the individual parts. It’s about how they all interact!
Here at Studio 3 Inc., we not only specialize in food and beverage photography, but also portraiture, lifestyle, sports, and product photography. Since 1974, we’ve been making your photography dreams come to life! Partner with us for your next creative endeavor, and see just how we stay inspired.
 

Our Process: From Start To Finish With Studio 3

 
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When Studio 3 begins a photography or branding project, our first step is to sit down with the client and dream up ideas. Collaborating on a concept might involve a handful of approaches, depending on the project at hand – anything from examining examples of similar work, creative brainstorming with our in-house team, and establishing a shared visual language using Style Guides, Mood Boards, or Pinterest. Below you can see an example of what a typical brainstorming session looks like at Studio 3.
IMG_5522Once an idea is hatched, our Producer-Extraordinaire Eva Goldfarb kicks it into high-gear – scheduling stylists, organizing set builds, balancing budgets, and handling any propping/costuming as needed. This work frees up our clients and photographers to stay in a creative mindset, and not get caught up in the operational details of the project.
15611T_Tea TestOnto the shoot! Photographer Craig Wagner is among the best photographers in the Northwest – and has been with the studio since the early days. Forever perfecting his craft, Craig does what it takes to get the perfect shot – even if it means inventing a new piece of equipment specifically for the shoot at hand.   

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We have a good time on set

_DSC0489Lastly, our Digital Team steps in and works their magic.  The processes of Color Grading and Digital Retouching are extremely intricate – just ask Sean Yates, one of our in-house Graphic Artists:

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“Color and clarity are of central importance when retouching images. …We always strive for and deliver accurate color.”

In reality, the Digital Team does a lot more than just retouching:
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Finished product:
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And that’s not the end! Studio 3 partners with the same clients year after year because they love the end result, and appreciate the creative relationships formed. We take the utmost pride in these collaborations and are always striving to bring something new and exciting to the table for the next shoot. Give us a call today, and find out how Studio 3 can help elevate your brand with the coolest+catchiest photography in the Pacific Northwest.
 

Who Runs Our World (Liz)

Studio 3, Inc. Producer, Liz Swales, is the driving force behind our photography magic. It’s truly amazing what all she can get done in a day. In order for all of you to get to know a little bit more about our Top Boss, I sat down with her at the Portland studio’s neighborhood tea spot, The Jasmine Pearl Tea Co.
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What do you look for in a photo?
“Overall composition; different angles, dimensions, lighting—something out of the ordinary. I always check highlights, styling, and color tonality but ultimately if a photo makes me feel, its good. ”
What is one thing from your Interior design training that has stuck creatively?
“Everything in design should be odd numbers. Always go odd.”
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What is your favorite thing about your role as Producer?
“Seeing the result of everyone’s work… from beginning to end. It is a cool process and one that only I get to see [come to fruition], whereas everyone else just plays their specific roles. I love delivering the final images to the client and getting their positive feedback— “Awesome! You guys are awesome!” or “Thank you so much Liz, your crew is great to work with.”
Marquis shoots are really fun to produce. Showing up to the shoot and realizing Oh! I did that. I got the forklift, the model has arrived, the crew is working hard, the set is beautiful and the props look amazing. Seeing it all happen from beginning to end is a rewarding process.”
Read more about the production behind a Marquis Spa commercial here.
Liz On Set with Marquis Spa

“Our top boss, Liz Swales! She oversees and schedules the organized chaos and somehow (probably magic) is able to orchestrate the entire production seamlessly.”

What is one difficulty in your current role that you did not expect?
“I have an eye for design and how things should be placed and layered, so when I was told I would be doing a lot of propping and styling, I thought, cool this will be fun and easy! But it’s not. Propping for the camera is completely different than interior propping. Things look like they are touching when they aren’t, colors don’t look good together, and balance can sometimes be hard to accomplish. Oh, and prop shopping is whole different kind of shopping. Let’s just say get 5-6 options of each item that you think you will need. Over shop, because you never know what the perfect item will be for the perfect image.”
What Studio 3, Inc. Image are you the most proud of this year?
“The top-down drink photography shot of GT’s Kombucha that I made with [Photographer] David Bell. Its something I would see in a magazine and think, “That’s beautiful.”
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What is your favorite problem-solving tool?
“There’s a lot to be said for just a note pad and pen. I write things out, make diagrams. Before I do estimates I draw out how the job would go to make sure it makes sense or see if there is another way that would be better.”
How do you unwind?
“At the beginning of this year I realized I work a lot. At all hours of the day and night. All I was doing was working.
Don’t get me wrong, I love my work, but I needed to catch up on all the movies and TV shows my friends were watching. Just kidding, but I decided to make a change.
So at the beginning of the year I started doing yoga and Nia. It relieves stress and provides a physical break in my day. I go every day after work and afterwards I do not work any more. ”
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What do you predict will be the biggest change in photography over the next 10 years?
“Virtual reality. People will want to interact with a product virtually before buying it. I think it will become a role within the studio, like our in-house digital team.”
Evolving with the photography, videography, and retouching business over the past 40 years we have picked up a few tricks. Possessing studios in Seattle, WA and Portland, OR, our ability to meet the needs of our clientele is second to none, especially when you factor in our in-house digital team, producers, stylists and assistants at the ready. We take care of it all, so you can kick back, relax, and watch as we make your creative ambitions come to life.
 

Stepping On-Location with Studio 3, Inc.

Three weeks into the job and it was time for my first on-location shoot with Studio 3, Inc. I boarded Bolt Bus, a company favorite, and set off for Seattle, eager to see Studio 3, Inc.’s cool studio space in the shadow of the Space Needle.
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The day started with Chanel Everett, the studio’s Princess of Production, hand selecting an Adidas wardrobe that interpreted the clients’ art direction. With a mood board compiled of different lifestyle, apparel and shoe photography, we set off for the previously scouted Seattle setting.
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Two vintage cars, a cooler, breakfast, lunch, snacks, racks of athletic apparel, dope enough to make any rapper weep, and the slaying photography skills of Studio 3, Inc.’s Trevor Boone—all the ingredients needed for success. I loved the Seattle cityscape, lifestyle photography theme and getting to assist with production stills.
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The location was picked to compliment the Seattle rapper’s song “Hometown.” Bringing the urban background of the city into portrait photography, Trevor Boone was able to capture stunning duality that showcased not only his professional talent, but the personality of Raz Simone and an edge to Adidas footwear photography.
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Images just came through the Studio 3, Inc. digital team, and we are stoked! Our in-house digital department works closely with our photographers and marketing team—removing power lines, clearing alleyway undesirables, and bringing the client’s vision to life every time. Check out a few of our favorite shots from the day.
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We will be dropping more images from the shoot, so be sure to follow us on Twitter, Instagram and Facebook. When you decide to become a part of the fun, give us a call or stop by one of our studios to talk photography, video and serious retouching skills.
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Written by: Eva Goldfarb, Marketing Coordinator @ Studio 3, Inc.

14 Reasons to Love Studio 3, Inc.

Photo Credit: David Bell, Studio 3, Inc.
Photo Credit: David Bell, Studio 3, Inc.

Reaching out to clients and our team, we have compiled a list of just a few reasons you will love Studio 3, Inc. The balance of exceptional skill, competitive pricing and LOTS of fun is what brings our long-term clients back again and again, while also attracting new ones. In other words, what is it that makes you say “Wow! Maybe it’s time to work with Studio 3.”
“Beyond expectation”
“Creative people, all day every day”
“Dynamic, visual storytelling”
“Top-notch production”
“Good people. Great Photos”
“On budget. On time. Every time.”
“Savvy producers”
“Best Mexican food in Seattle”
“Collaborative group”
“Naturally on the same page”
“Consistency & meticulousness”
“Decades of experience”
“Audgie, the studio dog”
“Teamwork and creativity that make our client’s creative ambitions come to life”
Don’t take our word for it, visit our Portland or Seattle studio and see for yourself! Drop us a line, we would love to talk photography, video or retouching with you over a cup of Stash tea or a game of ping-pong.

A Glimpse at Photography Production

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When you stumble across a flawlessly delicious image you can’t help but wonder; how did they make it look so good? While we can’t reveal all of our secrets, we can certainly give you a glimpse into the messy, hectic, chaotic yet beautiful world of Commercial Photography told from our Seattle Producer herself….
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A job always begins with an estimate request, and historically, those like to come flooding in on Friday afternoons, just as I’m ready to walk out the door for Happy Hour.
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During the estimate process I learn if I need to find a location, source props, hire a model, or even bring in the occasional docile cat like we did for the Humane Society Cat Calendar. Oftentimes, it’s about finding ways to make the impossible, possible.
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With just two words, “we’re approved”, the Production office turns into a hub of organized chaos. Location scouting, hiring talent, finding the perfect stylist, scheduling Post Production…. it’s all part of the thrill in getting everything finalized for the next big photo-shoot and sometimes it’s just hours away!
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For a recent issue of Seattle Magazine I was tasked with organizing 20+ food and beverage rock stars to be in the Studio on the same day for their specialty items to be photographed for a feature story in the magazine. Sounds easy enough until you find out that Bakers start their day at 4:00AM when Bartenders are on their way to sleep!! Scheduling the two to be at the studio at the same time is challenging… but we always find ways to make it work.
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Now, flash forward through the shoot day(s), hours of color correcting and retouching, and final file delivery and it’s clear that a lot of people have put their blood, sweat, and tears into producing that picture perfect image. Then, when it’s a wrap we wake up the next morning, chug our favorite caffeinated beverage, and happily do it all over again.
 
 

Studio 3 Rides Out On Ducati

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Summertime is all about fast cars and even faster Ducati motorcycles. Studio 3 wanted to explore our dare devil side and kick up the dust to catch the sunset on a few of these bad boys of the road. While the rest of us had fun forming our very own Studio 3 Biker Gang, our talented Seattle Shooters David Bell and Chris Eltrich had the pleasure of capturing these beauties with a Hasselblad Medium Format camera system. Eltrich goes a little more in depth about this sexy shoot:
“The team was looking for a darker, dramatic look… I used Studio 3’s Speedotron lights for all the shots with various light modifiers, but generally each shot had a Beauty Dish as the key light with lights through diffusion panels for accents. A lot of the planning and conceptualizing for the shoot was done by our amazing Producer, Megan Nolan and our go to Digital Lead, Alex Gumina.”
Alex shares his inspiration behind his work here:
“There seems to be a trend in vehicle advertising lately of hyper-processed, super crisp images. I thought it would be fun to do something in this style but needed a subject. That’s where Ducati Seattle came in. I pitched the idea to Megan, our studio producer, and we made our way across Aurora to Ducati Seattle to look at some beautiful motorcycles. We met with the sales manager Mike MacConaghy and before we knew it we had a couple beautiful Italian made motorcycles in the studio.
The original plan was to do a couple composites using shots of the bikes in studio, and environmental shots for the backgrounds. We would blend the two together to make one perfect, seamless image. Since we had the bikes in studio though, we decided to take full advantage of our photographers capabilities and do some amazing detail shots as well. My only request was dark, moody, high contrast, and sexy. What you see here is the end result.”
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We had a blast having the Ducati Motorcycles for a few days. We couldn’t load up on our leather gear fast enough! At least we know we’ll be prepared for next summer! If you want in on the fun, give Studio 3 a call and we’ll bring an extra helmet.
 

1 Second Everyday

“There are so many tiny, beautiful, funny, tragic moments in your life — how are you going to remember them all?”
Imagine a movie that includes everyday for the rest of your life…  That’s the motto of the  1 Second Everyday app. As of this May, director, producer, video maker, animator, and app creator Cesar Kuriyama has been recording one second of his life everyday for three years. Kuriyama started creating this video diary on his 30th Birthday and claims that if he lives to see 80, family and friends will have a 5-hour-long accurate depiction of his life. The “1 Second Everyday” app does exactly what the name implies. It allows users to create a video diary of their lives by providing them with platform to record, edit, and store one unique moment a day for a year at a time in order to create an irreplaceable memoir. Kuriyama said that his driving force for this project was the fact that he would gain the ability to flashback through his memories and re-evaluate how he approached each day.
In spirit of this moving idea, David King, our director of video production compiled a 30 second video of what one month with the Studio 3 team looks like… and we’ve all come to realize how lucky we really are! Here’s a 30 second glance at our random, crazy, and beautiful lives:

So, if you’re feeling stressed, excited, discouraged, confused, wired, or tired, go ahead and start your very own video. You might be surprised with the outcome. And if you’re looking for a little extra sunshine in your day, give us a call or pop by the studio. We’ll do everything we can to ensure it’s an experience so grand you won’t need an app to remember it.