A Focus On Food: Our Tricks And Tips Behind Food + Beverage Photography

Most people don’t think about the way food is photographed – they think about how it will taste! But ask any professional photographer that has worked with food or beverages, and they’ll tell you that there’s a litany of tricks and tips to making food look delicious and distinctive. From Hollywood trickery to spatial geometry – we’ve put together a list of our own to help you capture your next meal with expert-level elegance.

  1. Choosing the right background for the food at hand

Not all surfaces and backgrounds are photogenic. And while others might be beautiful on their own, they still may not necessarily complement the food/beverage at hand. So, what are some factors to consider when selecting a background? Color is a big one. Ideally, you want to avoid overly-bright colors or busy patterns that will distract from your subject. A shiny surface probably wouldn’t be a good choice either. Using neutral or pastel color palettes can go a long way in making your food/beverage ‘pop’- in a similar way that a certain color might bring out a person’s eyes. For instance, if most food contains warm color tones, it might be a good idea to shoot against cool-toned surfaces to create a pleasing contrast. If you want to learn more about how to create ‘color harmony,’ check out this helpful article on the subject, which also includes some useful guides.
You can also use the background to express character, suggest a mood, or establish a sense of place. Here’s a photo taken by Studio 3’s very own David Bell, which showcases a delicious chocolate cake placed in a rustic environment. The flooring suggests farm-style, naturalism, organic ingredients etc., while the rich brown tones in the wood compliment the chocolate perfectly.     
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  1. Knolling style – to use or not to use?

You may not be familiar with the term, but you’re definitely familiar with the style. ‘Knolling’ refers to this style of photography:
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Bright + even lighting, Birds-Eye point-of-view, and a meticulous arrangement of items. First popularized in 1987 by a janitor who would fastidiously arrange the various construction tools he found around the warehouse, ‘Knolling’ photography has recently taken over Instagram as one of the most prolific trends in recent years – and has also found a strong niche in food/beverage photography. It’s easy to see why: if executed correctly, Knolling photography has a unique way of making any subject look bold and dazzling – even if it’s just some popcorn. Right angles, clusters of color, and clean/crisp lines are the name of the game. An appreciation of image composition, as well as the spatial relationships between objects will help your Knolling photography soar.

  1. Using mist, glycerine, and other fakery

Want that ultra-fresh, dripping condensation look? Simply hit your glass with some mist! Or even better yet, many professionals will use Glycerin to the same effect. It gives your food/drinks a cold, fresh look, which in turn makes them appear more delectable. This is especially true of foods like fruits and veggies. If you see food in photographs looking wet or frosty, then you can bet your top dollar that glycerin was used! Think of your classic vending machine: can you picture those big water droplets rolling off a cold can of Coke on the front image? Yup, that’s either mist or Glycerin.
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If your image requires ice, we highly suggest the use of fake ice cubes. Obviously, real ice melts, thus requiring frequent re-sets, which can take time and money away from your project (and also make a mess!). If you happen to be using glass, real ice will also cause significant fogging, obscuring your subject even more. These are just a few of the reasons professional photographers have embraced the use of fake ice and other perishable food prop replacements.   

  1. Styling: Paint, pins, and putty

Screen Shot 2018-11-07 at 1.00.32 PMIt takes a fine touch. There are countless cosmetic steps food stylists can take to improve the overall quality and composition of your food/beverage photography. Remember, we’re not actually serving the food, so no need to shy away from using un-edible items to get the necessary shot. Metal pins, for instance, can be used to hold food in place if you want to display the perfect balance of ingredients without them falling over. Photographer and food stylists will also use non-stick putty to the same effect, like so:
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Ultimately, it’s about arranging and styling your subject to maximize it’s photogenic potential. Is your food stackable, or should it be fanned out, serving style? Does your subject have green stems? Should a side dish be included? What about some unique serving flatware? You can even utilize acrylic paint to boost colors, cover up blemishes, and even create patterns if desired. Get creative here! Like any good dish, there is a lot more to the finished product than merely the sum of the individual parts. It’s about how they all interact!
Here at Studio 3 Inc., we not only specialize in food and beverage photography, but also portraiture, lifestyle, sports, and product photography. Since 1974, we’ve been making your photography dreams come to life! Partner with us for your next creative endeavor, and see just how we stay inspired.
 

Show Don't Tell: How Commercial Photography Changes the Game

We have a mantra here at Studio 3 Inc: Beautiful Photography Sells Product.


Yes, stock photos are easy to get in today’s culture of immediacy.
Yes, it’s also easy to take your own photos due to the evolution of smartphone cameras. What’s not easy is making the decision to invest in advertising photography for your company. But let’s face it – you will absolutely use ALL those professional photos. Commercial photography – complete with a photography studio, lighting, styling, and retouching- legitimizes your business and propels your online exposure. Here’s why…
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YOU GET AND KEEP THEIR ATTENTION: Did you know that posts with featured images are 120%-180% more visible online? That means simply having a photo available TRIPLES your clientele and sales. If you are trying to hook clients without photos, you’re doing it wrong. And if you’re trying to hook buyers with amateaur photos, again – you’re doing it wrong. You want your photos to reflect your kick-ass products, right? Well then it might be time to turn to a kick-ass studio – shameless plug.
We are all subject to the algorithm. Social media platforms measure how long visitors stay on a website, and if it’s less than a minute, your links drop to the bottom of the feed. Make sure you’re fostering customer relationships and enticing shoppers to click “add to cart.” Having stellar product photography drives sales up by 60%, and allowing shoppers to see a life sized image of the product – or at least zoomed in – again DOUBLES the purchase potential of the client. The more they know the more they buy. A great photography studio like Studio 3 can tell the story of your product from beginning to end.
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YOU’RE EDUCATIONAL: SHOW your clients, and then TELL them what they’re seeing. Process photos are all the rage. To be honest, it’s probably because reading is NOT all the rage. We don’t want to follow instructions, we want to follow a picture. We don’t want to read a menu, we want to see a picture of what could shortly be on steaming plates in front of us. Well give the people what they want! Create a video of your product in use or a photo menu for your restaurant with killer food photography. Photo stories allow people to envision themselves using your product, visiting your location, eating your food, or feeling the emotion of your models. Clients need the reassurance that you are supporting their need to understand the process. Seeing a product “in-action” solidifies client trust and increases purchase percentage. Building your customer’s confidence in their ability to utilize your product is a necessary step in brand evangelism. SHOW them it’s not too good to be true.
YOUR IMAGES ARE VARIED AND INTERESTING – YET CONSISTENT.
E-commerce and Instagram business accounts are looking more and more like twins these days. Have you noticed? Both are feeds of new products with a consistent tone, lighting, colors – Brand Identity. If a product image looks out of place in the feed, it stands out as a flaw. Clients view branding inconsistencies as a lack of quality and could lose trust in the website. ONE IN FOUR clients are lost because of brand inconsistency. Having consistent and quality branding practices make companies 20% more successful than companies who make their clients unsure or untrusting of their brand.
DannerWhat does this mean for you? In order to consistently provide impactful branding and quality content for your clients you must be consistent in the look of your products. Working with Studio 3 Inc means working with photographers and designers who are dedicated to your brand identity and consistency, ensuring that your products always look amazing. Because Beautiful Photography Sells Product – and Consistent Quality Builds a Brand Empire, my friends. It’s as simple as that.

Tis The Season For Client Comfort

The hustle and bustle of the holiday season; To-do lists unroll to the floor, coffee is taken through IV drips, and the studio always vaguely smells of cookies.

Tray Of Cookies
During the holiday season we understand you would rather be at home with a book and warm cup of Stash Tea, so we have done what we can to bring the cozy here.
Cue the elves (aka Studio 3, Inc.’s production team,) sit back, relax, and let us make your photographic dreams come true.
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We have decked the halls, strung the ornaments, and lit the client area with holiday cheer.
The Studio 3 Inc. creative team not only does whatever it takes to make your project a success, we do it while feeding you cookies and telling you jokes.
…We have even been known to have Fashion Santa drop by every now and then (We know him!)
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Our studio is equipped with ample snacks, coffee as strong as our wifi connection, tea, any magazine you could dream of, and a crazy amount of crayons for the kid in you.
There are multiple conference rooms available for those times when you just need to be alone. Client meeting, business call, or impromptu dance party; We’ve got you covered.
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We pride ourselves in providing a comprehensive client experience. Not only can you expect top of the line photography but also a welcoming work environment, great food, and even better company.
Drop us a line, let’s talk photography! We’re here 24 hours a day, it feels like, but let’s say 9-5. We can’t wait to work with you.
Happy Holidays!!

Let's Unpack This: A Look Inside Studio 3's Location Lighting Kit

When shooting lifestyle or product photography on location in the Pacific Northwest you rarely know what you’re going to get. The rain gods in our home states of Oregon and Washington are prevalent and powerful. Deluge or mist, the Studio 3 team arrives on location prepared for anything.
How do we juggle variously lit environments, keep a tight timetable and budget, and still exceed our client expectations? Experience. We have perfected our method in the madness that is this glorious industry.  Now, thanks to the Internet and the power of social media marketing, we are able to share some of that wisdom with you.

What does the Studio 3, Inc. team need to create beautiful photography on location, you ask?

Be it a location shoot for Danner Boots, ShedRain Umbrellas, Amazon, or Kaiser Permenante our fail-safe location lighting kit includes;

  • Radio Slaves
  • 3 Lighting Stands
  • 3 ft. Soft box
  • Medium Umbrella
  • AA Batteries
  • CTB Gel
  • CTO Gel
  • Light Meter

This minimalistic kit is best used for atmospheric, lifestyle, and commercial work.
“[This lighting kit] is best used in situations where your key light is the light already available. When working on location you’re supplementing available light with the strobes you bring with you. An important part of that is to match the color temperature of that available light—we do this using gels [CTB or CTO]. This allows you to separate your subject from the background and really focus the viewer’s attention on the product. ” – Joshua Romberg, Photographer
In need new lifestyle photography for your next campaign? Give us a shout; we’ll get the gear.

Digital Retouching, Can you Didg’ it?

“Keep away from people who try to belittle your ambitions. Small people always do that, but the really great make you feel that you, too, can become great.”
― Mark Twain

The million dollar question: What sets us apart from all of the other photography studios in the PNW? Well, quite a few things. But it’s hard to talk about them all in 500 words, so I am going to focus on our in-house digital department.
Not only are our digital artists pixel-perfect, they have the ability to turn photos around faster than I can type this sentence. No, we’re not a marketing agency, but we love working with them. We are photography pioneers. We look past the norm and find answers to questions you have yet to ask. How? Magic. Or Intuition, as they call it nowadays.
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Our award-winning photographers work closely with clients and the digital artists who render our images flawless. Communication is our biggest secret for success.

“Without each other, the quality standards we achieve here would not be possible.” -Craig Wagner, Photographer

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“Having an in-house [digital department] allows me to have face-to-face conversation before, during, and after a shoot. Whether we’re discussing how we should approach a job, or what my intention was in how I shot it, I have the asset of having a digital team that feels like an extension of myself.”
Craig Wagner, Photographer

Our digital team not only makes photos look better in post, they help the photographers shoot more efficiently. It’s photography plus.

“I have the opportunity to talk directly with clients, nipping problems in the bud, saving everyone time and money. We remove a step for the client without compromising the photos.” –Michelle Smith, Lead Digital Artist

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Working with a vast array of clients, we have shot some behemoths over the years; trains, planes, and automobiles to name a few. That’s a lot of surface area to make drop-dead gorgeous, which is why we keep stylists on the ready to spot check, scrub out smudges, and make sure each vehicle’s best side is showing. But we don’t have favorites. Whether it be a fleet for Freightliner, or a detailed shot of a Leatherman tool, each job gets the same level of attentiveness and digital mastery.

“It all breaks down to textures and tones. Fifteen minutes of proper styling and lighting prep during a shoot can save an hour of digital retouching.” –Michelle Smith

So what’s next? We are dreaming up bigger and better ways to make you look fabulous. Stay tuned, we’re 40 years young and constantly evolving.
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Who Runs Our World (Liz)

Studio 3, Inc. Producer, Liz Swales, is the driving force behind our photography magic. It’s truly amazing what all she can get done in a day. In order for all of you to get to know a little bit more about our Top Boss, I sat down with her at the Portland studio’s neighborhood tea spot, The Jasmine Pearl Tea Co.
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What do you look for in a photo?
“Overall composition; different angles, dimensions, lighting—something out of the ordinary. I always check highlights, styling, and color tonality but ultimately if a photo makes me feel, its good. ”
What is one thing from your Interior design training that has stuck creatively?
“Everything in design should be odd numbers. Always go odd.”
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What is your favorite thing about your role as Producer?
“Seeing the result of everyone’s work… from beginning to end. It is a cool process and one that only I get to see [come to fruition], whereas everyone else just plays their specific roles. I love delivering the final images to the client and getting their positive feedback— “Awesome! You guys are awesome!” or “Thank you so much Liz, your crew is great to work with.”
Marquis shoots are really fun to produce. Showing up to the shoot and realizing Oh! I did that. I got the forklift, the model has arrived, the crew is working hard, the set is beautiful and the props look amazing. Seeing it all happen from beginning to end is a rewarding process.”
Read more about the production behind a Marquis Spa commercial here.
Liz On Set with Marquis Spa

“Our top boss, Liz Swales! She oversees and schedules the organized chaos and somehow (probably magic) is able to orchestrate the entire production seamlessly.”

What is one difficulty in your current role that you did not expect?
“I have an eye for design and how things should be placed and layered, so when I was told I would be doing a lot of propping and styling, I thought, cool this will be fun and easy! But it’s not. Propping for the camera is completely different than interior propping. Things look like they are touching when they aren’t, colors don’t look good together, and balance can sometimes be hard to accomplish. Oh, and prop shopping is whole different kind of shopping. Let’s just say get 5-6 options of each item that you think you will need. Over shop, because you never know what the perfect item will be for the perfect image.”
What Studio 3, Inc. Image are you the most proud of this year?
“The top-down drink photography shot of GT’s Kombucha that I made with [Photographer] David Bell. Its something I would see in a magazine and think, “That’s beautiful.”
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What is your favorite problem-solving tool?
“There’s a lot to be said for just a note pad and pen. I write things out, make diagrams. Before I do estimates I draw out how the job would go to make sure it makes sense or see if there is another way that would be better.”
How do you unwind?
“At the beginning of this year I realized I work a lot. At all hours of the day and night. All I was doing was working.
Don’t get me wrong, I love my work, but I needed to catch up on all the movies and TV shows my friends were watching. Just kidding, but I decided to make a change.
So at the beginning of the year I started doing yoga and Nia. It relieves stress and provides a physical break in my day. I go every day after work and afterwards I do not work any more. ”
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What do you predict will be the biggest change in photography over the next 10 years?
“Virtual reality. People will want to interact with a product virtually before buying it. I think it will become a role within the studio, like our in-house digital team.”
Evolving with the photography, videography, and retouching business over the past 40 years we have picked up a few tricks. Possessing studios in Seattle, WA and Portland, OR, our ability to meet the needs of our clientele is second to none, especially when you factor in our in-house digital team, producers, stylists and assistants at the ready. We take care of it all, so you can kick back, relax, and watch as we make your creative ambitions come to life.
 

Brand Identity; Telling YOUR Story Through Photography and Video

In an era of constant online noise, brand identity becomes quintessential. Customers are seeking not only quality, but also an authentic buying experience; the real people behind the business. They are seeking companies with similar values and lifestyles as their own.
How do you build an unmistakable brand identity? How do you tell your story? Whether you are creating a new ad campaign, or updating your catalogue’s product photography, every image should speak to your customers.
Once you have defined your brand, you can begin to effectively market it. That’s where we come in. Studio 3, Inc. works with you to create personal visual solutions. We show the world how awesome you are.
Let’s take a closer look at how different photos craft different emotional responses. In other words, what your photography is saying about your brand.
1.   Your Colorways; Cool vs. Warm
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Colors evoke emotion. Cool colors calm, while warm colors educe action—like this photo for Nike that encourages me to get out of this chair and go for a run.
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2.   Your Lighting; Studio vs. Natural
Whether your image is sun-soaked or sleekly structured, the quality can’t be compromised.
Glass of Whiskey with Ice Dropped In
This beautiful cocktail shot for Seattle Magazine is captured with a splash! Inspiring thought on what a customer should do next (hint: buy some whiskey). Need help deciding? Here are Five new Washington Whiskeys to Try.
Two Smiling Women Drinking Coca-Cola
Embracing the brand identity of Coca-Cola, natural lighting was used to flood the scene with a sense of summer. Now that’s affective lifestyle photography.
3.   Your Audience; Outdoor vs. Luxury
Who is your target market? What do they value? Creating environments for your product takes target market research.
Hiker Wearing Danner Boots
What better way to appeal to Danner Boot’s outdoor customer, while staying true to the Brand’s value of craftsmanship, than to put their boots to the test in the Pacific Northwest.

“Hold a Danner boot in your hand and you’ll notice the hand crafted precision. Try it on and you’ll feel the difference. Test it against the elements and you’ll appreciate the value of a product that is built to last.”   -Danner, Since 1932

Jimmy Choo Red Shoes
However, when your marketing luxury like Jimmy Choo, the environment changes with the contrasting brand identity.

“A 21st Century Luxury Accessories Brand, with shoes at its heart, offering an empowered sense of glamour and a playfully daring Spirit.”   – Jimmy Choo

4.   Your Appearance; Organic vs. Styled
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Are you showing a process or presenting it’s end result? As brands and agencies move towards targeting the holistic customer, we see the shift manifest in an increase of lifestyle photography… And that’s in addition to the perfect product shot, 360-degree spin, and detail so good you can almost feel it. It’s a comprehensive marketing approach. You are your brand, and we are your people for all things photography, videography, and retouching.
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5.   Your Quality; iPhone vs. Professional Photographer
If you think it’s expensive to hire a professional, just wait until you hire an amateur… said a brilliant person. After meeting with a client, and doing a little research on their product, we stumbled upon this brilliant blog post that couldn’t say it any better.

“It’s amazing how big of a difference having really nice pictures of your space can make. A few months ago I ran an informal experiment (as research for another project) where I listed my apartment for rent on craigslist. They were both the same price, in the same area. One listing had really nice pictures taken with a high quality dslr and wide angel lens and the other had badly lit pictures taken with my iPhone. The listing with the nice pictures got 10x the emails.”   – Jon Wheatley of Need/Want

Maybe it’s obvious, but maybe not. In today’s digital age everyone has a camera in their pocket, and iPhone 7s are promoted as so good they can be used for magazine covers and advertising (We won’t name names). We are bombarded with mediocre images… like this production still that I took versus Craig Wagner’s beautiful image masterfully finished by digital artist Michelle Smith. See the difference?
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Regardless of the project or scope, Studio 3, Inc. works with our clients, building relationships and crafting the perfect image for their brand. If you have yet to work with us, what are you waiting for? Drop us a line, let’s put our heads together to create something beautiful.

I Have a Therapist, Her Name Is Nature

Studio 3, Inc. has commissioned a new tourist attraction in the shadow of the Space Needle. When we’re not moving mountains for clients, we are painting them. With artist and mountain-man Trace Gough’s mural, we have brought a bit of the PNW beauty to our own backyard. How is that for the highest quality visual solutions? Come by, check it out, and while you’re here let’s talk photography, videography and retouching.
“The mural is my interpretation of a photo taken while climbing in the Cascade Mountain Range. The photo was taken very early in the morning, from a high camp near the Neve Glacier in North Cascades National Park.  I’ve been all over the Cascades, and this is hands-down one of the prettiest places, though laborious to get to. There was a layer of haze hanging in the valleys to the north.  “ – Trace Gough, Artist

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Inspiration Image photographed and painted by Trace Gough @Studio 3, Inc.

 
Transforming a storage container into a mural in 7 easy steps:
Step 1: Power washing and prepping the storage container, or “the can” as we at Studio 3, Inc. fondly refer to it.
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Step 2: Use the Grid Method to enlarge the reference image onto the scale of your surface.
Outlining Mountains
Step 3: Outline the mural in sharpie or paint.
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Step 4: Start from the back, painting first the sky, then the mountains.
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Step 5: Gradually get darker as you paint your way forward, creating depth of field.
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Step 6: Save the details for last, enhancing the “wow” factor with textured ridges and moody clouds.
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Step 7: Step back and admire your work, you’ve just created a masterpiece.  (Now if only we could paint that house in the background).
Trace Gough and Mural
Finished Mural
 
 

This Photograph Inspired My Entire Career: 4 Professional Photographers Weigh In

At Studio 3 we have a number of talented professional photographers ready to take gorgeous, arresting images for any client need. But all photographers, even those at the pinnacle of their careers, got started somewhere. Often it was a single, iconic image that ignited the creative passion. For example:

Jim Felt, Photographer and Co-Founder of Studio 3, Inc.

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For Studio 3, Inc. co-founder Jim Felt, the iconic photograph that inspired his love of the FUN side of photography was the album cover photo from The Doors’ Strange Days. Shot by Photographer Joel Brodsky (with much of it put together on the fly with minimal budget), this photo spoke to Jim’s love of the absurdity of life. Up until he saw this photo, Jim says that he shot mostly in black & white and didn’t like color photography that much, but this photo spoke to him with its moody monochromatic palette. As a photographer he was drawn to the idea of directing any scenario imaginable and shooting it, and thought it so much fun to see the details throughout the image that wrapped all the way around to the back of the CD (where the band’s portraits were relegated!) (Interesting story behind the photo here.) Radical for its time in that it was album cover art that didn’t depict the band, this photo captured Jim’s attitude to photography in genera;: that we shouldn’t take it so darn seriously because it’s so incredibly FUN.

Jim Felt specializes in portrait, large vehicle, and lifestyle photography. His photos often depict a lot of things happening that draw you into a picture with fun and interest.
14734_59CadModelCarLifestyle photography by Jim Felt.

Henry Ngan, Photographer and Co-Founder of Studio 3, Inc.

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For Henry Ngan, the other co-founder of Studio 3, the French master of candid photography Henri Cartier-Bresson proved most inspirational. This particular photograph, he notes, shows Cartier-Bresson’s ability to capture the moment as it happens. The photographer carried a small 35mm Leica camera in an age when the professional camera was huge – and he did this in order to be able to shoot spontaneity unobtrusively.
Of Cartier-Bresson, Henry says: “He inspired me to capture the decisive moment.”

No matter how big or complex the project, Henry embraces all challenges and always makes the cutting-edge look its very best. A master of texture, he specializes in product, large vehicle, and technology photography.

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Vehicle photography by Henry Ngan. (Shot while sitting inside a large Caterpillar shovel and hoisted aloft to get an aerial view!)

Craig Wagner, Photographer

omega-blank-and-white-photograph-shadrick-williams Craig Wagner originally started as a Photography Assistant at Studio 3 many years ago. For Craig the photograph that inspired him the most at the beginning of his career was Omega by Shedrick Williames (above, from Craig’s personal collection). After hearing a talk by Williames in his college class, Craig sought him out to apprentice for him. Williams (or “Shad” as he was known to friends) took young Craig under his wing and taught him high standards for black-and-white photography and his exacting methods for quality prints.
Craig says, “I still enjoy this image of his, the sense of isolation: a new beginning for Man. I feel that even today the statement he may have been making is still current.”

Craig’s photography exhibits a depth of tonal ranges, bright colors, and stellar lighting. He is known for large product, vehicle, beverage, and indoor/outdoor photography.

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Vehicle photography by Craig Wagner.

David Bell, Photographer

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Photographer David Bell has been with Studio 3 for over 10 years, and cites Bert Stern and his great pyramid shot for a Smirnoff ad as his inspiration. Shot on location and the pyramid reversed in the martini glass, all of his work at that time was very inspiring to the young photographer and provided a window into the world of advertising photography. The original bad boy photographer, Stern’s images redefined art and fashion in the 1950’s and 60’s. David was particularly drawn to the bold and graphic nature of this shot, one that changed the advertising world in its simplicity.
David says about this photo: “The light. Waiting for the right light. Beautiful.”

David Bell is known for his dedication to creating delectable food and beverage images and makes each item pop with his expert lighting. He specializes in product, food, drink, and vehicle photography.

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Food photography by David Bell.