Perfecting the Pour with Photographer Craig Wagner

Creating a pour-fectly timed photo for Domaine Serene is one of Craig Wagner‘s favorite photo shoots from the past year. Brushing up on our physics, Craig and the Studio 3 team successfully streamlined the process to create the perfect pour.

Let the Creativity (And Wine) Flow

Once we had the inspiration from the client, we worked backwards to create the result they were looking for. Everything from the way the lighting hit the color of the wine, bottle, and label; to controlling the pour was tested and perfected.

Because of Craig’s experience with splash photography, he knew this shoot would be a step-by-step, trial-and-error process. He prepped for two days in between other photoshoots to perfect this pour before it was time for Domaine Serene to join us in the studio.

“What I enjoy about jobs like this is the problem-solving.” CW

The Pro in Product Photography

With the help of a drill, PVC pipe, wine reservoir, and stop-valve, Craig devised a contraption to consistently pour the wine. With their newly minted wine-pouring apparatus, photographic dream-team Josh Romberg and Craig Wagner worked together to tweak and dial-in the speed, amount, and flow of the pour to re-create and adjust accordingly.

“We knew we were going to go through a lot of liquid for this shoot.” CW

The wine was flowing at Studio 3: 18 liters to be exact. With every click, we cleaned. Looking back, we should have shot a paper towel commercial at the same time. But we don’t cry over spilled wine. Our team did enjoy some with lunch that day.

Our client selected subtleties they liked from each photo: such as bubbles, highlights, and colors. Along with extra components that Craig shot, our digital team seamlessly pieced everything together for one pour-fect photo.

“It takes a team and all hands on deck.” CW

Teamwork really does make the dream work and Studio 3 is filled with a glass half full crew. Stop on in and meet us for yourself! Until then…

A Focus On Food: Our Tricks And Tips Behind Food + Beverage Photography

Most people don’t think about the way food is photographed – they think about how it will taste! But ask any professional photographer that has worked with food or beverages, and they’ll tell you that there’s a litany of tricks and tips to making food look delicious and distinctive. From Hollywood trickery to spatial geometry – we’ve put together a list of our own to help you capture your next meal with expert-level elegance.

  1. Choosing the right background for the food at hand

Not all surfaces and backgrounds are photogenic. And while others might be beautiful on their own, they still may not necessarily complement the food/beverage at hand. So, what are some factors to consider when selecting a background? Color is a big one. Ideally, you want to avoid overly-bright colors or busy patterns that will distract from your subject. A shiny surface probably wouldn’t be a good choice either. Using neutral or pastel color palettes can go a long way in making your food/beverage ‘pop’- in a similar way that a certain color might bring out a person’s eyes. For instance, if most food contains warm color tones, it might be a good idea to shoot against cool-toned surfaces to create a pleasing contrast. If you want to learn more about how to create ‘color harmony,’ check out this helpful article on the subject, which also includes some useful guides.
You can also use the background to express character, suggest a mood, or establish a sense of place. Here’s a photo taken by Studio 3’s very own David Bell, which showcases a delicious chocolate cake placed in a rustic environment. The flooring suggests farm-style, naturalism, organic ingredients etc., while the rich brown tones in the wood compliment the chocolate perfectly.     
9866_Judy Woods Flavor Right

  1. Knolling style – to use or not to use?

You may not be familiar with the term, but you’re definitely familiar with the style. ‘Knolling’ refers to this style of photography:
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Bright + even lighting, Birds-Eye point-of-view, and a meticulous arrangement of items. First popularized in 1987 by a janitor who would fastidiously arrange the various construction tools he found around the warehouse, ‘Knolling’ photography has recently taken over Instagram as one of the most prolific trends in recent years – and has also found a strong niche in food/beverage photography. It’s easy to see why: if executed correctly, Knolling photography has a unique way of making any subject look bold and dazzling – even if it’s just some popcorn. Right angles, clusters of color, and clean/crisp lines are the name of the game. An appreciation of image composition, as well as the spatial relationships between objects will help your Knolling photography soar.

  1. Using mist, glycerine, and other fakery

Want that ultra-fresh, dripping condensation look? Simply hit your glass with some mist! Or even better yet, many professionals will use Glycerin to the same effect. It gives your food/drinks a cold, fresh look, which in turn makes them appear more delectable. This is especially true of foods like fruits and veggies. If you see food in photographs looking wet or frosty, then you can bet your top dollar that glycerin was used! Think of your classic vending machine: can you picture those big water droplets rolling off a cold can of Coke on the front image? Yup, that’s either mist or Glycerin.
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If your image requires ice, we highly suggest the use of fake ice cubes. Obviously, real ice melts, thus requiring frequent re-sets, which can take time and money away from your project (and also make a mess!). If you happen to be using glass, real ice will also cause significant fogging, obscuring your subject even more. These are just a few of the reasons professional photographers have embraced the use of fake ice and other perishable food prop replacements.   

  1. Styling: Paint, pins, and putty

Screen Shot 2018-11-07 at 1.00.32 PMIt takes a fine touch. There are countless cosmetic steps food stylists can take to improve the overall quality and composition of your food/beverage photography. Remember, we’re not actually serving the food, so no need to shy away from using un-edible items to get the necessary shot. Metal pins, for instance, can be used to hold food in place if you want to display the perfect balance of ingredients without them falling over. Photographer and food stylists will also use non-stick putty to the same effect, like so:
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Ultimately, it’s about arranging and styling your subject to maximize it’s photogenic potential. Is your food stackable, or should it be fanned out, serving style? Does your subject have green stems? Should a side dish be included? What about some unique serving flatware? You can even utilize acrylic paint to boost colors, cover up blemishes, and even create patterns if desired. Get creative here! Like any good dish, there is a lot more to the finished product than merely the sum of the individual parts. It’s about how they all interact!
Here at Studio 3 Inc., we not only specialize in food and beverage photography, but also portraiture, lifestyle, sports, and product photography. Since 1974, we’ve been making your photography dreams come to life! Partner with us for your next creative endeavor, and see just how we stay inspired.
 

HOW DO YOU HUE? Three Ways Studio 3 Makes It Pop

When is the last time you were blown away by an image? Why was that? Perhaps you noticed a vivid background, strategically hued font, or impressively monochromatic scheme. You noticed color. Color impacts product integrity, branding, and consumer reactions.
A lot of components go into creating “the shot,” and Studio 3, Inc. handles them all from styling to post production. Our colorful team is here to make your visual dreams pop off the screen.
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1.  On-Set Color Matching
Royal blue textured paper, the precise shade of orange gel, and Craig Wagner’s masterful lighting will get you out of any pickle. Our stylists and photographers address the details on set to ensure color is spot on from project start to finish.
Leatherman Color Up - Three Hues
 
2. Add a Little Retouching Magic
In addition to phenomenal photography – we have a top-of-the-line digital team equipped with the tools to save you time and money, making your technicolor dreams come true. They are our color wizards: flawlessly color matching, and coloring up your product photography.
Colorful Instagram triptic - Three Hues
 
3. Set Your Social Scene
It is important to be visible, impactful, and purposeful with social media posts so that potential clients can easily find what they might be looking for. Let us help you content create.
We like to use Instagram as a social portfolio. Our audience can then see that beyond our stellar images, we have an eye for style, beauty, and purpose. It’s important to keep content fresh, colorful, and trendy for your followers and future followers.
Phone Photography in varying Red Hues - Monochrome
Color psychology plays an important role in your marketing goals. Research has shown that color branding influences 90% of shopping decisions. That is a number opportunity we definitely would not want to miss.

What colors are consumers loving this month? Season? Year?

What does this mean for you? How can we help?

The most exciting part of the rainbow world in which we work is getting to put our skills to good use. Our commitment to client satisfaction and beautiful photography is unmatched in our field. From styling – to shooting – to retouching – to bragging about our clients – we love keeping life colorful. DO HUE?
 
 

Tis The Season For Client Comfort

The hustle and bustle of the holiday season; To-do lists unroll to the floor, coffee is taken through IV drips, and the studio always vaguely smells of cookies.

Tray Of Cookies
During the holiday season we understand you would rather be at home with a book and warm cup of Stash Tea, so we have done what we can to bring the cozy here.
Cue the elves (aka Studio 3, Inc.’s production team,) sit back, relax, and let us make your photographic dreams come true.
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We have decked the halls, strung the ornaments, and lit the client area with holiday cheer.
The Studio 3 Inc. creative team not only does whatever it takes to make your project a success, we do it while feeding you cookies and telling you jokes.
…We have even been known to have Fashion Santa drop by every now and then (We know him!)
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Our studio is equipped with ample snacks, coffee as strong as our wifi connection, tea, any magazine you could dream of, and a crazy amount of crayons for the kid in you.
There are multiple conference rooms available for those times when you just need to be alone. Client meeting, business call, or impromptu dance party; We’ve got you covered.
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We pride ourselves in providing a comprehensive client experience. Not only can you expect top of the line photography but also a welcoming work environment, great food, and even better company.
Drop us a line, let’s talk photography! We’re here 24 hours a day, it feels like, but let’s say 9-5. We can’t wait to work with you.
Happy Holidays!!

Studio 3's Photographer Craig Wagner & CMD's Art Director Lawrence Wolf collaborate!

See below to view Craig Wagner’s in-studio Product Photography and his lifestyle images!

Studio 3, Inc, Behind the Scenes, Commercial Product Photography, Commercial Lifestyle Photography, Lawrence Wolf, CMD
We are excited at Studio 3 about our latest partnership with CMD in Portland. Craig Wagner (Photographer) and Lawrence Wolf (Art Director) talk about their thoughts around their latest creative venture. Read below to hear more about the collaboration between Studio 3 Inc. and CMD.
A few words from Lawrence Wolf at CMD.
“One of the great things about working at CMD is the way the company embraces the Rose City’s bike culture. Bike commuting is actively encouraged year round, with a lot of extra support for people who get into the saddle for the Bike Commute Challenge each September. And, as an art director, I get to spend my days crafting the visual language of all the things we make for our clients: websites, mobile apps, brochures, you name it. It’s a process where I’m fortunate to work with some really talented individuals. This brings me to Studio 3 Photography, and partnering on a creative project that reflects my personal passion for cycling as well as that embraced by Portland and CMD.
I first worked with Studio 3 in December 2010, shooting bird’s eye views of two Western Star trucks. It wasn’t an easy shoot, given the sheer size of the trucks. And thanks to the unpredictable nature of Pacific Northwest skies in winter, we were forced to shoot inside a warehouse. In that kind of situation, you can only get an angle so wide before running into problems with distortion.
But Craig was very methodical in overcoming these logistic issues. Over the two days we shot, we bonded over a mutual appreciation for all things on wheels, be it two, four or eighteen. That shoot was just the beginning of a strong professional relationship, and then this past spring, something got us talking about my old bike.

Studio 3, Inc.

I’ve been customizing this vintage Trek touring bike since the birth of my son. It had sat in my garage, collecting dust for several years, because it’s so much heavier than my aluminum road bike and I tend to opt for speed. But it’s always been a great bike. The steel frame gives it a really comfortable ride. It reminds me of the matching, yellow Schwinns that my parents used to pedal me around on. When I started thinking about how to introduce my boy to cycling, I swapped out the drop bars for mustache bars (to accommodate a front-mounted child seat). This gave the bike a totally different look, and I suddenly developed a new appreciation for the bike’s classic styling.

Studio 3, Inc.

Soon after, I added a Brooks leather saddle and matching bar tape. Then it kind of took on a life of its own. Since then, I continue to adjust little details like striped white tires, or black dice valve covers.

Studio 3, Inc.

Studio 3, Inc.

My latest addition was designing the “Slow Ride” aluminum head badge, which I had made at International Graphics. “Slow Ride” was influenced by a few things: My son’s 70s-era, Evel Knievel helmet, and the fact that the bike weighs upwards of 30 pounds. We won’t be winning any races on this thing, but that’s hardly the point of our rides.

Studio 3, Inc.

I was thrilled that Craig was interested in collaborating on a “Slow Ride” shoot featuring the customized bike. As an art director, I really admire his attention to detail and the way he plans a shot. He’s keenly aware of potential challenges, and always has a good solution for telling a story through his lens. Half the fun of this shoot was working together on the idea, putting together moodboards, and scouting locations.”

Studio 3, Inc.


A few words from Craig Wagner at Studio 3, Inc.

“Working with Lawrence’s “Slow Ride” concept was fun and allowed me plenty of creative freedom. The mood boards were coherent and well designed. With a clear understanding of the desired outcome and tone, we were ready to go. I look forward to many more future projects with Lawrence’s creative concept development and the CMD team. See below for some of the shots we got on-location!”

Studio 3, Inc.

Studio 3, Inc.

Studio 3, Inc.

Studio 3, Inc.

Studio 3, Inc.

Studio 3, Inc.

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Get involved in the Bicycle Transportation Alliance’s Bike Commute Challenge by clicking here.To view CMD’s joint blog post click here.

V-Tech Electronics & New Product Photography

Product Photography

VTech, the leading manufacturer of portable and user-friendly electronic devices and product, has added a new market to its line-up of wireless phones and children’s electronics: wireless Internet streaming radio.  Craig Wagner of Studio 3, Inc., was hired to shoot the new product photography for the latest revolution in home audio, the VTech IS9181 WiFi Internet Radio.
Images from the Studio 3, Inc. photo shoot were showcased at the 2009 CES in Las Vegas, the 2009 SXSW Festival in Austin, and the Timeless concert series in Los Angeles.  The new Wi-Fi Radio allows customers to play over 11,000 free Internet radio stations worldwide, stream music libraries stored on home computers, or connect to any digital audio player.
Studio 3, Inc. was thrilled to partner with VTech and produce new product photography images for such an exciting new product. Craig Wagner always enjoys shooting product photography and has some insight on the recent shoot.

Typically, when I think of Vtech, what comes to mind is bright colored electronic toys. So when I heard they were wanting us to shoot a radio that streamed stations from a WiFi signal I was intrigued. What is this latest product?
In the past I had shot for a local projector company, Infocus who has amazing projectors. This new Vtech client had seen past images from the Infocus shoot and wanted a similar look and feel.
So I chose to start with a Black Plexi surface to create a more eloquent look, which was exactly what my client was looking for. Creating pools of light on diffusion panels with gridded Speedotron heads help to accent all of the different facets on the radio and really allow it to be a hero in it’s own right. The lighting really allowed this product to go from ordinary radio, to a sleek instrument that you would want to display in your own house.
In order to capture this product photography, I used the Hasselbald H2D body with the standard HC 2,8/80 mm lens knowing it would create nothing short of beautiful, creative justice. The design of this lens ensures a flat image plane, low distortion and great color correction. This camera and lens combo is suited for almost any task in studio photography and allowed me to get the client exactly what they were looking for.

http://www.infocus.com/
http://www.hasselbladusa.com/
http://www.speedotron.com/
http://www.cesweb.org/

To View More of Our Product Photography Check Out Our Website.

 

Hi Tech Photo Fun: Intel’s Classmate PC

Hi Tech Photo
This January, Intel launched its new, convertible Classmate PC at the CES in Las Vegas.  Henry Ngan of Studio 3, Inc. in Portland was hired to shoot the new hi tech photo advertising campaign.
The Intel-powered Classmate PC has received worldwide, enthusiastic support.  The government of Portugal declared an initiative, providing clamshell Classmate PCs to all elementary school children via their local computer manufacturers and telecom service providers.  Telmex, one of the leading telecommunications companies in Mexico, recently announced a donation of 50,000 Classmate PCs to students across the country.
Intel Vice President, Gordon Graylish, noted, “There are 1.3 billion school-age children around the world, and of those, only 5% have access to a PC or the Internet.  The IT and hi tech industry has a huge opportunity to contribute to how technology can improve students’ learning and students’ lives.”
Studio 3, Inc. was delighted to be part of the Intel Classmate PC project. Henry Ngan has a few words on how he captures the perfect hi tech photo:

In order for our client, Intel, to communicate their ideas and their offerings to the educational and governmental community, I was tasked with creating beautifully lit hi tech images of their line of Classmate PCs and accessories as product photography. In addition to creating these beautiful images, we were given the task of building an entire set. So… we built classroom sets to put these products in realistic settings in our studio instead of doing this on location. Doing studio photography instead of shooting on location allows more precise control over the details, lighting, and timing in order to optimize the overall look the client is after. We used Speedotron lighting with various light modifiers to create the mood or the beautiful soft product lighting. I captured some of the images with Hasselblad H2 with Imacon Digital back. The others were captured with Canon 5D MkII camera with various lenses.

http://www.hasselbladusa.com/
http://www.usa.canon.com/cusa/consumer/products/cameras/slr_cameras
http://www.speedotron.com/products/category/black_line
hi tech photography
hi tech photography
hi tech photography

On-Location: Nintendo DS Lite + Wii

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Nintendo’s newest version of the world’s best-selling portable game system has reported record-breaking consumer response. The new Nintendo DSi sold nearly 500,000 units in the first week following its US launch on April 5, 2009. Studio 3, Inc’s Seattle office was once again hired by Nintendo to shoot an on-location lifestyle photography campaign that spanned across the west coast, from a rainy university campus in Seattle to the sun-drenched beaches of Los Angeles.
The six-day project featured DSi users hanging out with friends at school, lounging in the sand, and relaxing at home. Studio 3′s producers hired a team of trusted stylists to help beautify the cast of 50 booked models and worked with local scouts to find and secure ten different locations for the on-location shots. The images are currently being featured in online DSi campaigns and will be included in various print applications both domestically and internationally throughout the year!
Among those fifty models, our stylists, assistants, and photographer, one thing held true all around: everyone had a favorite Nintendo game. So, in honor of all the memories and fun video games have provided us, we did some digging to see what games hit home in the Studio 3 Seattle office!
Let’s start off with what might be one of the most universally loved games of all time: GoldenEye 007. I think it’s safe to say that at least 50% of all sleepovers in the 90’s included at least 3-4 hours of intense GoldenEye matches.
Next up is quite a kick back to the days of SNES (Super Nintendo Entertainment System… yes that old one for all you young’ns): Scooby Doo Mystery. There’s something to be said about getting to play video games inspired by our favorite TV shows and movies and that something is “heck yes”.
Another Seattle office favorite that also bridges the TV-video game divide is the Pokemon series (Blue and Red, of course) for the Game-Boy system. As far as becoming a real trainer goes, the games got us as close as we could get without finding real Pokemon to catch. High fives to any of you that still remember those original American commercials with the school bus full of the Pokemon and how much you wished you could get on there!
Last and most certainly not least, while it might not be a game originally made by Nintendo, Space Invaders will always reign as one of the most fun, classic pieces of entertainment of all time. Whether played on a CRT TV monitor, a Game-Boy of any generation, a phone, or that Texas Instruments calculator everyone has for high school math, fending off those little aliens is infinitely fun and stressful in the best way.
Happy gaming y’all!
For More Information On Our Production Capabilities Give Us A Call!

Product Photography Fun: 40k tool!

Selling at the typical price of a mid-sized luxury automobile, Leatherman proudly presents its $40,000 utility tool!  Studio 3, Inc’s Portland office had the privilege of working on some product photography with this treasure just months after capturing images of “Mr. Crunch”, Tim Leatherman’s original prototype for the world renowned tool.
Studio 3 photographer David Bell’s striking product photography images of the celebratory piece show the elegance and attention to even the finest details that has helped establish the Leatherman craft as one of love and mastery. Through the images alone, you can seriously get lost in the tool’s ornate embellishments and finely tuned mechanisms. And to think that they’re all contained in something that fits in the palm of your hand, truly an amazing sight! In David’s words:

This series of tools are very special. They are custom made by a silversmith in Argentina. He takes a Leatherman tool, disassembles it, then high polishes all its components, and then he makes new handles out of gold and silver. The challenge and direction given were to highlight this special quality. Making the gold and silver pop and look as special as it is in real life. Having shot all of Leatherman’s tools for years and just recently shooting one of the original Tim Leatherman Prototypes it was such a treat to shoot these beautiful works of art. It was like shooting fine jewelry, as opposed to the hard stainless steel tool that I am so accustomed to. It is always exciting to shoot the newest and finest tool that Leatherman is coming out with and now I got to shoot true works of art for them.

Purchase one to commemorate Leatherman Tool’s 25th anniversary, their recent accreditation of being named National Geographic’s “2008 Gear of the Year” or to simply put on a pedestal & gaze at.
Product Photography
Product Photography
To View More Product Photography Check Out Our Website!